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“The Cocktail Professor” LaTanya White checked in on Friday, ahead of #NationalTequilaDay, to offer up a recipe for an awesome tequila cocktail that even non-tequila drinkers will enjoy.

(Pictured: My favorite tequila, jalapeño-infused Tanteo with a simple Margarita mix on the rocks)

LaTanya’s drink: The Jalisco
1-1.5 oz aged tequila
Your favorite coconut water
Agave nectar
Fresh lime

Steve Aoki is a well-traveled individual and yes, he’s known to throw a cake or three during his live performances. But that doesn’t necessarily qualify him as a human Yelp when it comes to finding a good piece of cake in the city.

“I don’t know. I don’t know all the bakers here,” the DJ told me when I jokingly asked him if he could recommend a spot. Aoki chatted with me in his green room ahead of performing downtown as a part of the BUILD Series, a live set that was also streamed on Yahoo Music. “I get the cake delivered to the stage.”

No, Aoki isn’t running to bakeries across the globe picking up cakes. But that doesn’t mean the whole “caking” process is one that he takes lightly; there’s a six-page tour rider specifically for the confection. And in 2015, Aoki said that he would limit throwing cakes in people’s faces to his headlining shows as opposed to festivals due to shoulder strain.

He did make an exception this past March at the Ultra Music Festival in Miami, and it was quite the toss.

Perhaps the California-native felt a little stronger this past year after clearing parts of his massive touring schedule to work on his new album, “Kolony.” The album marks a departure for Aoki as he changes his process to focus more on the vocalist and less on his music, thus Kolony’s full-fledged venture in to hip-hop.

“I’m not necessarily trying to make EDM records that hip-hop artists can fit on but just make great songs that really give the lead to the vocalist,” he explained. “I’m influenced by everything. When I’m (in New York), I listen to a lot of hip-hop. When I’m traveling overseas I listen to a lot of music from those countries where I go.”

Aoki’s goal was to work “in the now” and throw out the rule book so that first and foremost, he could change the game for himself. Staying present forced the producer at times to meet an artist in their studio or invite one to his, although inevitably some of the collaborations occurred remotely. However in one instance, Aoki reached back in to the vault and dusted off an unreleased acapella.

“With Mase, I mean I had that acapella for years,” Aoki revealed while talking about the track “$4,000,000.” “I’ve been working on that song for years. Luckily, I had ‘Kolony’ to give me a deadline.”

Now that it’s out, the DJ will hit the road, or rather the air again. Aoki spends most of the next month touring Europe, save a quick stop to Kazakhstan. It’ll be his first time performing in the Central Asian country.

Hopefully, somebody knows a good baker in town.

Lisa Lampanelli stopped by the studio on Friday to talk about “Stuffed,” her off-Broadway show that kicks off October 5 at Westside Theatre. Tickets are on-sale now here.

The insult comic also talked about her alma mater (hint: it’s also mine – Go Orange!), her time on “Celebrity Apprentice” with Donald Trump and much more.

Not only is Rita Ora in a good place, it sounds like her peers are as well.

“Everyone’s just being really nice to each other and it feels really good,” the “Your Song” singer said in an interview that aired on my show Monday. “Everyone just shows so much support. It feels like we have a little community going on, which I like.”

The comments were a response to my observation of watching Ora’s interaction with Vanessa Hudgens and Drake backstage at the Billboard Music Awards in May. There were no cameras around as the entertainers exchanged pleasantries.

“I mean I’ve known some people in this industry since I was like 18, so it’s nice to just see people do their ‘thang,’” Ora continued. “My mom always taught me to be nice, to be respectful, and then you’ll get it back.

“And if not, then we can take it outside!” the 26 year-old joked.

With the way in which tabloids cover the London-native across the pond, it’s inevitable that Ora sometimes finds her name linked to stories that aren’t so respectful. That does not seem to have affected her disposition negatively; but she’s clearly cognizant of the coverage. This was evident in Ora’s reaction when I mentioned that she spent last summer filming “America’s Next Top Model” down the street from me.

“So I was annoying you then basically,” she retorted, semi-kidding I think. “There were loads of paparazzi. You must have been so angry at me.”

For the record, I wasn’t inconvenienced at all; however the same can’t be said for the people who lived next door to the models’ townhouse. Regardless of its downfalls, Ora is still thankful that she gets to do what she loves.

“I’m an entertainer, yunno?” she responded when I asked about her venture in to TV hosting. She’s currently the host of ABC’s competition “Boy Band.” “I think every time I’ve done a TV (show) it’s been the right timing; like the opportunity came the same time as my music coming out and I just felt like it was perfect to be visible on multiple platforms.”

Ora’s new single, co-written by Ed Sheeran, is called “Your Song” and is available now. Her new album is slated for a fall release. She revealed that the LP is “kind of done” and is in the mastering and mixing phase.

A new lawsuit from journalist Kevin Powell claims that the creators of the Tupac Shakur biopic “All Eyez On Me” used portions of various interviews and stories he wrote about Shakur for VIBE Magazine without properly credit. Attorney Jill Stanley is covering the story and called in to the show to break down details of the claim, along with offering some insight as to how things might play out in court and in theaters.

Hear our conversation below and read Stanley’s thoughts here.

Hunter March, who has amassed 400,000 YouTube subscribers, stops by to chat about the new show he’s hosting on GSN, “Emogenius.” Teams of two, using emojis, play for $10,000.

March also chatted about how he got his start in front of the camera and his grandfather, the late Hal March, who hosted the iconic game show, “The $64,000 Question.”

“Emogenius” airs Wednesday nights at 9 pm on GSN.

Norwegian DJ/producer Kygo is on a hot-streak at the moment between the infectious Selena Gomez-assisted “It Ain’t Me” and “First Time” featuring Ellie Goulding. The songs are the first and second singles, respectively, from his forthcoming sophomore album. He also played two more tracks, one of which John Newman sings on, at Ultra Music Festival this year. But despite these big collaborations that he’s completed, the DJ now has his sights on another, although it might be difficult to accomplish.

“Ed Sheeran is one of my favorite artists,” he told me recently, noting that there are other singers he’d like to share the studio with as well. “(Ed) is so busy all the time so it’s tough to find time to go in to the studio but that’s a dream collaboration for me, to work with Ed Sheeran.”

Working with Sheeran might be a tough task to clear though – pun intended. The only known, notable Electronic Dance Music collaboration the Englishman has ever participated in was on the Martin Garrix track, “Rewind Repeat It.”

Does it sound familiar? It shouldn’t. The song never saw the light of day. Garrix offered up his side of the story this past March during an interview in his home country of the Netherlands.

“It’s all label issues and a lot of headaches,” Garrix told Dutch station Radio 538, via Billboard. “It was going to be an official track, so we postponed all my other singles, but the label delayed the track because they wanted to release other tracks from Ed first. At one point, it was two years ago, I didn’t release a radio single for five, six months. So, then you get annoyed. So, I don’t think we’re ever going to release the track.”

Another person that Kygo has worked with though is Julia Michaels, who is also finding quite a bit of success on the American airwaves these days.

“I’m so happy for her,” he said. “She’s such a nice person as well. She’s been writing so many hits, and now she’s releasing her own hits. It’s just very well-deserved. I think she’s going to do a lot of big things in the future.”

The two teamed up for “Carry Me” off Kygo’s first LP “Cloud Nine.” There is no title or release date for the follow-up album.

If there’s one thing you can expect when Halsey kicks off her “Hopeless Fountain Kingdom” tour later this year, it’s this: fire.

“I’ve always been very extra with the fire,” the Washington, New Jersey-native told me last month. “Any chance I have to bring fire on my stage, I’m going to do it.”

Matter-of-fact, Halsey revealed to me that during her Billboard Music Awards performance rehearsal, she kept practicing the song over-and-over in part due to the fire that was planned for the set. She certainly didn’t mind the rehearsing; she was once hit with her own fireworks during a Coachella performance (Halsey escaped unscathed).

But besides the obvious visual, there is also a meaning behind the use of fire that relates to the singer’s chart-topping album.

“My record, ‘Hopeless Fountain Kingdom,’ is kind of about an underworld,” Halsey, born Ashley Frangipane, explained. “It’s kind of about this parallel universe where love conquers all. It’s a ‘Romeo and Juliet’ story so bringing in the fire is a really, really cool way for me to kind of rope my audience in to my universe that I’ve tried to create.”

Fans across the country will have the opportunity to witness that universe on the singer’s first-ever arena tour, although Halsey is no stranger to big rooms. She headlined and sold-out Madison Square Garden in 2016; the show went on-sale three weeks after her debut LP “Badlands” came out.

“The whole world went, ‘What do you think you’re doing? You just put out your album. You can’t play MSG,’” she recalled of critics’ initial reaction to the news. “That venue has always been the pinnacle of music for me.

“I was playing a show at Webster Hall. I was playing to 1,500 people (the night tickets for The Garden were released). And I walked up-stage and I got the news that we were about to sell-out Madison Square Garden.”

Halsey said that as amazing as she thinks the arena dates will be, it will be hard to top playing MSG, which she described as, “one of the best experiences of my life.”

She’ll find out when the tour kicks off at Mohegan Sun Arena in Connecticut on September 29… her birthday.

“Versatile” would be one way to describe Ne-Yo’s musical capabilities given how many different radio formats have played his songs over the years and the number of genres he has actively participated in. Electronic Dance Music is one of those genres, whether it is working with Afrojack or Calvin Harris for the GRAMMY-nominated “Let’s Go,” and the singer/songwriter doesn’t think that its popularity is going to decline anytime soon.

“It’s a genre that’s based off of crowd participation,” Ne-Yo replied when I asked him if he was surprised at dance music’s sustained prominence, especially in the pop world. “If you’ve ever been to an EDM show, it’s not even so much about the DJ. Most EDM DJs wear a black t-shirt and black jeans…you’re going for the music and the way that the music makes you feel.

“We’re in a time where things that make you feel something are few and far between, and that music has always been based on getting that energy. I don’t feel like energy will ever go out of style, so I don’t feel like EDM will ever go out of style.”

While not of the electronic variety, there is a bunch of energy on Ne-Yo’s new single, “Another Love Song.”

“I wanted to do something kind of up-tempo, summertime, fun,” the artist, nee Shaffer Smith, explained. “Still have an R&B edge but could also you know, play with the pop folks if you felt like it and I feel like ‘Another Love Song’ is just that.”

Ne-Yo wrote the song himself and tasked Dr. Luke to produce it. It’s the first single from his forthcoming seventh studio album. Given his longevity and track record, perhaps he knows a thing or two when he speaks about staying in style.

Since 2010, Niall Horan has been on quite the rollercoaster. The Irish-born singer first came to fame on “The X-Factor” across the pond, where Simon Cowell hatched the bright idea to pair him and four other contestants together. What followed was a phenomenon: five chart-topping albums, sold-out stadium tours and millions upon millions of screaming fans.

But now Horan is signed to a different record label, releasing music as a solo artist and moving at a speed that must feel more comfortable.

“Yeah, it’s great,” when asked Horan about the pace of his new project with Capitol Records. “I kind of just made a decision that I would do everything at my own pace and I said it to my manager and to my label and they were completely supportive of it.”

Horan essentially told them that he would work on the album and he would notify them when it was finished. Update: it’s pretty much done.

“I’ll probably release it in the fall or something,” he said. “I just have to do a little bit of production stuff and it’s all kind of recorded and stuff like that.”

The Irishman doesn’t have a title yet but he has released two songs from the LP, “This Town” and “Slow Hands.” When I asked about the song selection, it sounded like the former wasn’t really intended to be a proper first single.

“I just wanted to let people know I was still doing music to be honest and it just kind of happened,” Horan explained of releasing “This Town.” “It took a life of its own.”

There was definitely a more methodical approach behind “Slow Hands.”

“I wanted to kind of beef things up a little bit and show I was a little bit more diverse,” Horan noted. “The whole album wasn’t going to be all finger-picking stuff.”

Horan started writing for the project in “March or April of last year.” The singer hopped in-and-out of the studio between days off before “This Town” started climbing the charts and the project’s timeline sped up – something Horan credits to those aforementioned fans, who have stuck with him throughout the entire ride.