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In an interview on “The Ralphie Radio Show,” Iyaz revealed that he recently collaborated with Miley Cyrus in-studio.
“No, that was for her’s,” replied the singer, real name Keidran Jones, when asked if the track would be featured on his forthcoming album. Reprise Records’ Tommy Page confirmed that Iyaz’s debut LP, My Life, will hit stores April 27. The first single, “Replay” – not only topped the charts, but scored the Virgin Islands pop star some free product from Apple.
“They gave me some small little Shuffles that said, ‘Stuck On Replay’ on the back,” Iyaz divulged. On the hook of “Replay”, the crooner likens his unwavering love for a girl to his iPod being stuck on replay. “‘Replay’… all of my songs, if not most of ‘em, are based on true stories.” — Download the mp3
— This also holds true with Iyaz’s latest single, “Solo,” – yes, he’s an eligible bachelor. The song samples Janet Jackson’s 1993 smash, “Again.” In a prior interview on “The RRS”, producer J.R. Rotem remarked that he breathed a sigh of relief when the sample cleared, as the song leaked on to YouTube before clearance. Although Iyaz eventually sent the link out to his followers on Twitter, he denies actually posting the track.
“I was in Vegas… I went on my Twitter, and somebody posted, “Man, I just heard ‘Solo’ on the radio,” recalled Iyaz. “So, you know me. I went straight to YouTube, and there it is. I was like, ‘Wow!’ And I didn’t have it (yet).”
The singer said that a similar situation occurred with “Replay.” Surely Iyaz hopes the entire situation will rewind and playback – producing yet another number one hit for the twenty-one year old artist.
J.R. Rotem breathed a sign of relief when he found out that Janet Jackson cleared the use of a sample from her 1993 number one hit, “Again” for the latest single from Iyaz, “Solo.”
“Unfortunately that song leaked before we ever solidified anything,” said Rotem. “In a way it was amazing; people really seemed to be loving the record, but yunno on another way, it’s not like we officially had mixed it or mastered it or gone for sample clearance or anything like that.”
Although it may be unclear as to who actually posted the track on YouTube, this much is known: Iyaz himself, as well as Sean Kingston, “tweeted” out the link to their followers, thus beginning the buzz on the song. Jackson did not speak with Rotem directly, but did offer a compliment on the final piece, in addition to clearing the sample. —
— Sample clearance is not a given – and like “Solo” – sometimes a track is produced but not commercially distributed before the okay is handed down. Case in point: a track off of Jason Derulo’s self-titled debut, due out March 2, called “Ridin’ Solo.” The version on YouTube contains portions of The Verve’s “Bitter Sweet Symphony.” Rotem did not receive sample clearance from the band to use the track. Although disappointed, the song will still appear on the LP, with a different beat. It is not the first time the producer ran in to such an issue, and probably will not be the last.
“When you get creative, and you sample stuff, you don’t first get clearance,” explained Rotem. “There are certain cases, where people just aren’t interested… I actually can respect when they don’t want people to sample it… I can’t go in to it expecting that they are going to give me something that’s theirs.”
Rotem named Prince and The Rolling Stones in a list of different artists who are known not to offer sample clearance.
At around 9 p.m. on Tuesday – Warner Brothers/Reprise Records received the green light from Janet Jackson to move forward on the release of the next Iyaz single, a sure-to-be-hit ballad entitled, “Solo.”
The song samples Jackson’s 1993 number 1 smash, “Again.” According to a source at WB Records, Jackson gave her blessing to the track, and even complimented Iyaz on it, noting that she is a fan of the song.
The single is Iyaz’s follow-up to his own number 1 hit, “Replay”, in which he crooned about being stuck on a girl by using the metaphor that his iPod was stuck on, you guessed it, replay.
He’s the teacher and the student – the leader and the follower. It is this trait that helped Miami born emcee Pitbull reach the top of his game, with back to back top 10 singles, his first LP distributed by a major label, a world tour, and many more cameos on the horizon.
On this particular night, Pitbull, real name Armando Perez, plays the role of teacher. Pitbull provides for his crew, which features your typical litany of managers and stage hands, along with a band and DJ. Pit’s company, Mr. 305 Inc., fronts the money for expenses incurred. The crew chows down on a mix of fried chicken and salad, with a conservative selection of beer, liquor, and soda. In the back of the tour bus, also covered by Pit’s company, where a second flat screen and video game system are stored, I plop down on the leather couch. There, I’m joined by the Miami emcee and another one of his students, David Rush.
“It’s like going to college for free,” described Rush of his jaunt on “The Rebelution Tour” – which bears the name of Pit’s recent release on Mr. 305/RCA. Rush, who is also known as “Young Boss”, wrote and appeared on the club banger, “Go Girl”. Every night of the tour, Rush joins Pit on stage for the track. However unlike most opening acts, the Jersey native sticks around for the entire set.
“I get to learn and experience what not to do, what to do, what works on stage, what doesn’t work on stage, and… you get to study, you get to watch and learn,” said Rush.
Pitbull feels Rush is someone who “knows how to make hit records,” as opposed to just someone who may “stumble over” a hit. But in addition to the creative side, Rush is learning the business aspect of the industry as well – as Pit balances both the demands of his own company and of the record label’s.
Part 1: “Rebelution Tour”, “Ellen”, Mr. 305 Inc.
Part 2: Collaborations w/ Akon, Jennifer Lopez, Shakira; New Music
“I’m out here on my own dime. The label ain’t give me no money for this right here,” revealed Pit. “But to me, I am my biggest investment. Not that the label is treating me bad or anything like that, not at all, they just lettin’ me do what I do.”
What Pit has done is continued and extended the grass roots movement he started in 1997. From the outset, there doesn’t seem to be a magic formula to his success. Pitbull works 24/7 – rarely one to turn down any type of request – whether it’s for an interview, a record cameo, or an autograph. The “on-the-grind” mentality combined with the reliability of the person himself, mixed with a lucky break here and there – has landed Pitbull both street cred and mainstream notoriety, a tough status that only few artists obtain in this day and age.
But after speaking with the emcee, you realize there is one other ingredient to his successful recipe – the hunger and desire to continue to learn. This became evident when I asked Pitbull about his recent collaboration with Jennifer Lopez, who is now releasing music under her alter-ego, “Lola.”
“’Lola’ is what Marc Anthony calls her,” said Pit. “To work with Jennifer Lopez was an honor. Especially someone that’s opened the doors for the Latin’s the way she’s done it in the movie industry, in the music industry. More than anything, I watch them and I learn, yunno? And I’m studying, also.”
The Jennifer Lopez collaboration is just one of many on the way for Mr. 305 himself – also on the docket – tracks with Shakira, Kristinia Debarge, and Janet Jackson. Plus, similar to the Livvi Franc track – you never know what Pit will just hop on.
“Right now I’ve been on tour, since I’m the one funding the bus, I don’t get the studio bus,” he joked. “There’s a lot of riddims out right now, that don’t nobody really know about. I’m about to f*ck ‘em up!”