97 BHT PRESENTED JASON CASTRO FROM AMERICAN IDOL SEASON 7 ON TUESDAY, 10/6/09 AT 6:00PM LIVE ON STAGE AT CENTER COURT AT THE MALL AT STEAMTOWN
POWERED BY ATLANTIC RECORDS, THE MALL AT STEAMTOWN, & 97 BHT
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Theory Of A Deadman revealed on The Ralphie Radio Show about a month ago that the band passed on a headlining Fall tour to support Daughtry’s arena tour. Chris Daughtry heard the interview.
“I was very flattered that they took us over (their own tour),” said lead singer Daughtry. “Any band like that, that’s doing it big in the rock world, that’s not too cool for school to hang with the Daughtry boys… we’re very flattered and honored.”
It’s certainly a humble statement from the front man of a band that has sold over 7.5 million albums worldwide to date. It seems as if Daughtry assumes nothing when it comes to the rock and pop realms.
“Same with Nickelback, when we did that tour… these guys are huge in the rock world, and we just feel like the freshmen in high school just trying to get our props.” Daughtry said.
Props or otherwise, the band is clearly doing something right as it readies for its first arena trek – a new venue that will bring a different performance.
“We’re gonna have pyro this time, I think,” said Daughtry. “Our stage is obviously going to be bigger – more production, more lights.”
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Click here to purchase tickets to Daughtry’s show at Wachovia Arena.
Chris noted that the target set time is about an hour and a half. This brings yet another facet in to view – the physical preparation.
“Any time you’re playing that long, as a singer, (it’s) definitely a stretch, especially when you’re used to playing, yunno, an hour at the most,” he said. “And these songs, some of them are just ridiculous to sing. Some of them… once you listen back to it, you’re like, ‘Why did I write that?’”
So Daughtry is hitting the gym to ready himself for the 36 date jaunt that begins October 19 in Topeka, KS. So is guitarist Brian Craddock, but he joked that it’s for different reasons.
“I developed, while in Germany, this beer gut,” Craddock admitted, while laughing. Although, Daughtry quickly pointed out that everybody sings during the show at one point or another.
Everyone doesn’t “tweet” though. Craddock is the self-described cynic of the crew – ever since a bad experience with his MySpace profile and spam, he stays away from the social networking sites. Meanwhile, Daughtry updates his Twitter account all the time. Apparently, he even checks his “at replies.”
“I think I see you on Twitter a lot,” Daughtry commented regarding my posts. “If I check, when I’ve only gotten maybe 40 or 50 tweets in, I can stay on top of it.”
You know the premise by now – budding, raw talent builds following through social networking site, catches the eye of someone important, lands a record deal. Sean Kingston reached out to J.R. Rotem on MySpace, and then found the Island singer I-Yaz. MySpace is the same site that helped the career of Colbie Caillat. Priscilla Renea and Esmee Denters were both YouTube sensations before catching the eyes and ears of Capitol Records and Justin Timberlake, respectively.
Thing is, the story is becoming more and more common. While all the aforementioned artists have or are receiving airplay on mainstream radio – there are still others, waiting in the wings, with much more than a webcam to promote their talent.
Enter Tamar Kaprelian.
The 23 year-old wrote, played, and sang for six years. She eventually decided YouTube might be the best outlet to perform, connect, and network until she could get discovered. Then in March of 2008, Kaprelian won an online contest for her cover of OneRepublic’s “Apologize.” Soon after, the band’s record label, Interscope, signed Tamar to a deal.
Almost two years later, Kaprelian will release her first LP, slated for February 2010. Tamar has split her time in the past 18 months between touring, writing, and charity work: the singer is just finishing a 30-day, 30-city tour for Feeding America. Kaprelian joined forces with the likes of David Arquette and The Cheesecake Factory for “Drive Out Hunger”, raising soup donations for the needy. After performing Saturday night in New York City, Kaprelian woke up at her usual 4 a.m. for the next stop – Edison, NJ. This is where I met up with her – to chat about the soup drive and the music projects – amidst the Menlo Park Mall – which echoed with the chants and cheers of caffeine-fueled workers accepting donations.
“I worked for Cheesecake Factory before I signed with Interscope,” revealed Kaprelian. “They’ve been so supportive of my music, and of my career, and so they asked me to get involved with this charity, and I said of course.”
Part 1: Feeding America/Cheesecake Factory, OneRepublic Contest, YouTube
Part 2: “The Hills”, Armenian Heritage, Forthcoming LP
The tour provides Kaprelian with quite the change of perspective. As we sat in an almost empty restaurant, people who worked a job she once held scurried about around us, setting tables and preparing for open.
“It is very surreal, but I feel very blessed,” Kaprelian said. At two different points during the interview, a server mistook us for two customers. Each time, Kaprelian stopped and thanked the person for attempting to wait on us, before informing them that we were just in the restaurant to take refuge from the noisy chambers of the mall.
Kaprelian wraps up the food drive on October 1, and then heads back to Los Angeles. She’s already worked on two tracks for the LP with OneRepublic front man Ryan Tedder – one of which Tamar reveals is a duet with label mate and All-American Rejects lead singer Tyson Ritter.
“It’s gonna be a cool record… he’s so talented,” Kaprelian said of her time working with Ritter. The collaboration wasn’t her first encounter with AAR – she sang backup for the group on “Ellen”, “Jimmy Kimmel Live”, and “The Tonight Show.”
Butch Walker also contributes to the project, which is yet to be titled. Kaprelian seems to be mulling over three options – Delicate Soul, It Is What It Is, or Sinner Or Saint.
The title may not be chosen, but the first single is: Kaprelian confirmed that “New Day” will be the lead song from the album. The track gained notoriety when MTV featured it in the last scene of Season 5 on “The Hills” – the track served as Lauren Conrad’s swan song. Kaprelian told me that she knew it’d be in the finale, but had no clue as to how and when it would be heard.
“You hope (the song is) at the end,” said Kaprelian. “I was over the moon. We were in the sitting room, and my entire family and I were watching it, and it was just such a great moment.”
Tamar was born in Arizona and also raised in Georgia. Like me, she is proudly of Armenian descent. I even learned something during the interview: apparently Gwen Stefani is also Armenian.
“Family is important to us,” Kaprelian said. “(My family has been) beyond supportive. They’re really happy for me. I think they’re just proud that I get to do what I love to do every day.”
With the recent addition of a third song to iTunes, a radio promo tour set for January, and an LP to follow – the Kaprelian’s will have much to be supportive for, as Tamar will be doing what she loves on a daily basis for the foreseeable future.
“American Idol” alum and newly signed Atlantic Records artist Jason Castro doesn’t know if Ellen DeGeneres would’ve took a liking to him on “Idol.” Castro paused for a few moments before answering and revealing an encounter with the talk show host.
“I met her once, and I know she thought I was like, trying to get off the show, which wasn’t true,” said Castro on Thursday, during a phone interview on The Ralphie Radio Show. “She was like thinking, ‘You didn’t wanna be there, did you?’ and I’m like, ‘Ohhhh, I dunno!’”
But the days of “American Idol” and what he mouthed and what he didn’t are long past Castro. Now the Dallas, Texas native is set to embark on a new career. Castro is promoting his new single, “Let’s Fall In Love Again” – a catchy, folkie, Jason Mraz-type number that makes you want to bob your head from side to side, and then maybe find that ex-lover on Facebook. The song is off of Castro’s debut LP, which he confirmed on The RRS is self-titled. It’s due out November 17.
Part 1: Dreads, Album, Ellen
Part 2: “Let’s Fall In Love Again” (Whistling Included)
“Keepin’ it simple,” said Castro of the decision to throw his name on the album’s title. “This is Jason Castro, this is my introduction to the world.”
Perhaps “reintroduction” would have been more appropriate – but you can’t blame Castro for feeling as if he’s starting fresh. Few that have walked his path received the opportunity to write and record for a major label after “Idol” concluded. But with his style, attitude, and laid back demeanor, clearly there are few Idol finalists like Jason Castro.
By even his own account, he stretched the truth, but that didn’t stop All Time Low’s Alex Gaskarth from describing the band’s upcoming fall tour as a “spectacle on wheels.”
“A little bit like Cirque du Soleil, minus leotards, plus alcohol and tattoos,” described Gaskarth of The Glamour Kills Tour. “And still maybe a few backflips, I dunno.”
The lead singer eventually toned down the hyperbole, but point taken – the upcoming trek, which includes supporting acts We The Kings, Hey Monday, and The Friday Night Boys – will be a sight to behold. The tour is comprised of 41 dates, kicking off in Hartford, CT, moving west, and the ending back east in Philadelphia.
Not too shabby for a band that just a mere two years ago, played the Smartpunk Stage at Vans Warped Tour. Since that time, All Time Low has opened for Fall Out Boy, toured Europe, and landed a sweet record deal that affords them a healthy amount of radio promotion. The band itself built up quite a following in the process. You know you’re big when someone starts a Twitter account on behalf of… your hair.
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“I’ve been made aware of it. It’s not anyone that I know,” revealed Gaskarth of the Twitter account, whose username is conveniently enough, “gaskarthsHair.” “Yunno, more power to ‘em. If they want to speak on behalf of my hair, they’re entitled to.”
Among the other perks of the fame: invites to award shows. Alex and crew were at the MTV VMA’s, and the front man thought Lady GaGa’s performance was “phenomenal.”
“They did a good job of sort of adapting that already-strange video in to an even stranger and harder to understand stage performance,” said Gaskarth. But she has the most phenomenal live voice. I give that girl props.”
Not so phenomenal: the antics of a one KanYe West. Alex likened his first reaction to that of everyone else’s inside Radio City Music Hall.
“Everyone gasped, everyone rolled their eyes, everybody sighed, and everybody forgot about it.”
But unfortunately for West, Alex is incorrect on one point – as no one has forgotten it.