Archives For Red Carpet Radio

It is impossible to look back on pop music in 2016 and not talk about The Chainsmokers. Alex Pall and Drew Taggart created two of the year’s biggest hits: the infectious “Don’t Let Me Down” that features 18 year-old Daya and “Closer,” an inescapable duet that Halsey assists on. “Don’t Let Me Down” was the most spun track on pop radio this year and using that particular metric, also the song of the summer. “Closer” spent 12 weeks atop both the Billboard Hot 100 and pop radio airplay charts. Combined with “Roses,” a song that they enlisted an artist named Rozes to sing, the duo sold 10 million singles in the U.S. alone.

Those songs helped The Chainsmokers score an American Music Award in 2016 and three GRAMMY nominations for the award show this February, including Best New Artist.

But as improbable as the DJs success may be (even Pall and Taggart admit they wouldn’t have settled on “The Chainsmokers” had they realized their staying power), what is crazier is that the group’s first two singles are all-but-forgotten about: the novelty track’s “#SELFIE” and “Kanye.”

“’Closer’ wasn’t their first hit,” is the response I received from Jake Miller, a friend of Pall and Taggart’s, recently when I brought up how impressed I was that they were able to shift from tongue-in-cheek records to the highly-coveted lane of radio-friendly pop music. I reminded him that “#SELFIE” was guys’ first single.

“It’s funny you say that because I don’t even think of them for that song,” Miller continued – a sentiment that many probably share and that certainly speaks to how massive the subsequent singles have been. “I honestly completely forgot they did that song.”

For The Chainsmokers, that might be a good thing. Nonetheless, the guys still don’t seem to be taking themselves too seriously.

“We go in with like, low expectations… very low expectations,” Taggart told me before the artists performed “Closer” and won “Favorite Electronic/Dance Music Artist” at the AMAs. “But regardless to be a part of the pop community now and have our work recognized is awesome.”

And the DJs aren’t slowing down anytime soon. Pall and Taggart just dropped a music video for “Setting Fires” off of their EP “Collage.” The duo is also back in the studio creating new music.

“I think the stuff we’re working on now we’re most excited about,” Pall said. “I don’t know if that’s because it’s newest, but it just feels different and exciting. We’re pumped about it.”

The Chainsmokers recently posted on Snapchat a clip of them in the studio with Coldplay lead singer Chris Martin, an experience that Taggart characterized as “crazy” because the guys grew up listening to his band.

“I think a lot of the music that’s already been out from us is heavily-inspired by Coldplay, especially the emotion that Coldplay has; that melancholy, bitter-sweet emotion that they get in all their songs,” he explained.

Taggart explained that his first goal was to “be cool” and attempt to catch a vibe with the lead singer. Neither man would reveal if they were working on a Chainsmokers project or something for Coldplay’s future (the band recently revealed that an EP was on the way after 2017), but Pall promised that whatever they’re working on, it’s “dope.”

Given the duo’s track record, I’ll take their word for it.

For my fifth consecutive year, I made the long (a couple blocks) trek to the Upper West Side and covered the start of the Macy’s Thanksgiving Day Parade, taking in the sights and talking with some of the parade’s performers and special guests. Hear from Fitz & The Tantrums, Laurie Hernandez, Daya, Jacob Whitesides, Aloe Blacc, Ben Rector, Brett Eldredge and more!

What do Dennis Quaid, Lewis Black and Billy Bob Thornton have in common? Not sure, other than they are all in this video! I spoke with the three when I covered two red carpets in one night recently – the premieres for Quaid’s season two of the Crackle series “The Art Of More” and Thornton’s “Bad Santa 2” movie.

Some news and notes from the American Music Awards red carpet…
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– Yes the rain was a major, major factor on the carpet and its impact on arrivals almost cannot be overstated. More on that here.

– It’s so nice to attend these and see familiar faces, whether it be publicists, fellow members of the media or artists. On the press front, great seeing The Insider’s Keltie Knight, Sweetyhigh’s Cassie DiLaura, the whole Sirius XM Hits 1 squad and Hollywire’s Chelsea Briggs.

– As far as artists and other invited guests: loved saying hello to Mark Cuban, Rachel Platten, Daya and Bebe Rexha, the latter who performed for Westwood One the night prior at our “Rooftop Live” event inside downtown Los Angeles’ Perch. Rexha’s catalog of hits she either penned and/or is featured on is impressive, and I’m rooting for her latest release “I Got You.”

– What I loved the most about the weather: the temperature. I’m used to melting every year on the AMAs red carpet; far from the case this year. I usually end up drinking 3 or 4 bottles of water in the process. I maybe drank one for the two-and-a-half hours I was out there.

– Another interesting note about my role: it changes from year-to-year on the carpet. This year, I served two purposes: grab content for my radio stations’ platforms as well as nationally and assist our red carpet reporter, Kerri Kasem, when necessary.

– After the red carpet, it was off to the one-on-one room. When the show wrapped, I dropped equipment at my room, called my mom, poured a drink and waited for my producer, Jay Buff, to arrive. After a quick download of the night’s events we put it all in the past and walked over to the after party. That was followed by an after-after party in where else, but the hotel lobby. We then ordered food from my favorite spot downtown, L.A. Café and devoured the grub before joining two different morning radio shows for American Music Awards recaps.

Eventually, I slept.

The genesis of my American Music Awards recap has become tradition: I usually begin typing it immediately after I check out of my hotel in downtown Los Angeles. My morning after the American Music Awards technically starts at the after-party. Then there’s an after-after party with my colleagues. That is followed by food, caffeine and a few live morning radio spots to handle. If I’m lucky, I catch about five hours of sleep before I wake up and begin taping my now (also) traditional AMA recap show, including interviews with some of the winners and performers from Sunday night’s show.

Then I finish editing video from the weekend, sneak in a two mile run, shower, pack and head to the lobby. I’m here now. Green Day’s drummer Tré Cool just walked by me with a security guard in tow. He tried to play it incognito with a forward-facing beige beret tucked down over a big pair of black sunglasses, but the aqua hair splaying out from the side was a dead giveaway. Coincidentally, I also saw him last night at the official American Music Awards after-party, before I ran into and met the band’s bassist, Mike Dirnt.

“I owned the ‘Dookie’ album on cassette!” I exclaimed. I may have had an alcoholic beverage or two at this point.

“I still own it on cassette!” Dirnt shot back. We snapped a quick selfie and went our separate ways.

A photo posted by Ralphie Aversa (@ralphieaversa) on


It’s nice to have tradition and routine; “typical” experiences like the aforementioned regarding two-thirds of Green Day.

But the unexpected can be just as, if not more entertaining. I wasn’t expecting to wake up Sunday to an overcast, mid-60’s day in downtown LA. Tents were pitched above the red carpet in L.A. Live, the area outside of Microsoft Theatre where the award show took place. And then, something took place that I don’t think has ever occurred in the history of the AMAs.

It rained. Steady, unforgiving rain. It even brought some wind. And people here lost it. The tents leaked. Puddles formed in front of the platforms where reporters and producers were frantically trying to adjust.

And as for the celebrities in attendance… to be honest, I think most of them don’t always need an excuse not to walk an entire red carpet. Even with our prime position for arrivals, we didn’t witness many first-hand. Gigi Hadid walked, or rather scurried by, clearly trying to get back inside to go over lines. Her co-host, the very relaxed and jovial Jay Pharoah stopped over to chat. Niall Horan was another one that sticks out; the Irishman talked with us ahead of his performance which was the first time he performed at the AMAs without his fellow One Direction mates.

As for our one-on-one room backstage, it is actually on the roof of a parking garage adjacent to the venue. If an artist wanted to stop by, they had to walk out of the venue.

In the rain.

We didn’t see too many familiar faces there, either. The very gracious Tim McGraw stopped by (greeting me with a “Hey, Ralphie boy!”). Maroon 5 hit the photo area before the band closed out the show with a performance of “Don’t Wanna Know” – I presume so that they could head home immediately after getting off stage.

After all, the rain along with two events at the Staples Center next door and the AMAs made for quite the traffic predicament in Los Angeles. But that’s expected around here.

A photo posted by 95.5 PLJ (@955plj) on

For our second and final day inside Westwood One’s Backstage at the 2016 American Music Awards, we chatted with a bunch of stars, including a few performers for Sunday night’s AMAs. John Legend reminisced about his time as a church choir director in Scranton and revealed his Thanksgiving plans, The Chainsmokers talked about working in the studio with Coldplay’s Chris Martin and former “Glee” star Jane Lynch popped by to explain why she released a Christmas album. More photos, videos and audio interviews below.





For our first day inside Westwood One’s Backstage at the 2016 American Music Awards, we chatted with Andy Grammer on his Thanksgiving plans, Tinashe on working with Britney Spears and We The Kings’ Travis Clark on covering a song from the hit-musical “Hamilton.” Check out the photos, video and audio interviews below!





It was an eventful weekend.

My friends at Mohegan Sun asked me to travel up to beautiful Uncasville, Connecticut and host red carpet coverage for the casino’s 20th anniversary celebrations. The festivities for the big 2-0 last throughout the month of October, however last weekend there were two very special events. Kevin Hart hosted a comedy all-stars event at Mohegan Sun Arena, and the after-party took place at Avalon Nightclub, where my first red carpet was located. The second was the “Red Carpet After-Party” inside Uncas Ballroom.
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There was no shortage of stars: Hart had Sarah Silverman, Margaret Cho and Dave Attell with him on stage. Jessie James Decker performed in the Cabaret Theater Friday night. Then on Saturday Fergie headlined the arena and LL Cool J performed a free show in the Wolf Den.

JoJo Fletcher and Jordan Rodgers, some of The Real Housewives and former “Jersey Shore” star Vinny Guadagnino all came by for “Reality Check” events (the latter in which I also hosted). Some of Buddy’s siblings from “Cake Boss” were on-hand to present a 20th Birthday cake from Carlo’s Bake Shop, which has an outpost inside The Shops at Mohegan Sun.

There were even a few surprises: namely David Ortiz showing up on Friday night and partying with his former teammate Johnny Damon. The following evening, I actually introduced Damon to LL Cool J on the red carpet.

You really can’t make this stuff up. Why would I? Watch the highlights from Friday and Saturday below or check out the full broadcasts here and here.

Violinist Lindsey Stirling stopped by to talk about her new album “Brave Enough,” which is out August 19. The lead single, “Something Wild,” is in the upcoming Disney film “Pete’s Dragon,” out August 12.

Stirling also chatted about performing with Celine Dion and meeting Steven Tyler at the Billboard Music Awards, the death of Christina Grimmie and the fact that she turns 30 in September.

Some news and notes from my fourth consecutive Tony Awards red carpet:

– There was a major scene change this year as the biggest night on Broadway moved uptown from 6th Avenue to… Broadway! The Tony’s were held at the venerable Beacon Theatre, the sister-venue of previous host Radio City Music Hall. Both buildings are managed by the Madison Square Garden Company. Instead of wrapping around the venue, this year’s red carpet simply stretched down two blocks from the front entrance of the theatre.

– It didn’t matter if you were Lin-Manuel Miranda, Leslie Odom Jr. or the guy in charge of lighting… if you were a part of the hit musical “Hamilton,” everyone wanted to talk to you. The production nabbed 16 nominations in 13 categories and took home 11 trophies. Tickets are impossible to come by unless you’re willing to refinance your house. Alex Lacamoire, who won the Tony for Best Orchestrations thanks to the musical based on Alexander Hamilton, smiled when I asked about the amount of ticket requests he has received.
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“That’s wonderful because that means people want to see our show,” he said, in perhaps one of the bigger understatements of the evening. “So hey, no complaints.”

– Certainly Odom Jr. had zero complaints as he beat out his co-star Miranda for the Lead Actor in a Musical category. When I asked Odom if he and Miranda made a friendly wager over the Tony prior to the award show, he found the question so hilarious that he nearly spit out the water he was sipping.

– This was a first: two reporters next to me were hungry, so they decided to walk to a pizzeria, pick up a pie and bring the entire box, paper plates included, back to the red carpet. At least they shared (I did not indulge but they were very kind to offer).

– Neil Patrick Harris shouted, “Work!” when I asked him what inspired his new, shorter haircut. I was tempted to simply tell you that I asked him what his favorite Rihanna song was.

– Nice to see Sara Bareilles on the carpet; she said hello to me before her publicist dragged her inside so she wouldn’t miss the award ceremony. It has been a wonderful Broadway debut for the pop star: her musical “Waitress” nabbed four Tony nods including Best Musical and Best Original Score, which of course was penned by Bareilles herself.

– Of course, there are a lot of artists from all genres of entertainment on and/or involved with Broadway these days. The great Andrew Lloyd Webber offered an interesting response when I asked him about this.

“Providing that you’ve got the right people for the right roles, if that’s what you’re asking me, and they’re cast for the right reasons… that’s great,” the seven-time Tony Award winner, whose musical adaptation of “School of Rock” received multiple nominations, told me. “It really doesn’t matter who you have in a show. Like, ‘School of Rock’ doesn’t have a star, but at the same time it easily could. I mean, James Corden wouldn’t be bad in ‘School of Rock,’ would he?”