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For day three of our broadcast with Westwood One Backstage at The 59th GRAMMYs we chatted with a bunch of current and former nominees while also speaking with a few friends-of-the-show. It was great to see Train’s Pat Monahan and Gavin DeGraw. I also interviewed Lukas Graham for the second time; the first time was at The GRAMMYs last year and now they’re up for three awards including Record and Song Of The Year, plus they’ll perform with Kelsea Ballerini. Noah Cyrus stopped by and compared me to her dad, LeAnn Rimes remembered her big GRAMMY wins from 20 years ago and Charli XCX explained how she chooses to collaborate with people before I brought up Selena Gomez to her.








So great to see a couple of current and possibly future GRAMMY nominees on my second day here in Los Angeles and our first day inside Staples Center for Westwood One’s Backstage at The GRAMMYs. I asked Mike Posner and Daya about the big day plus met Dua Lipa. Also, we chatted about a couple neighborhoods in Manhattan when “America’s Next Top Model” contestant Paige Mobley and singer/songwriter Max stopped by.




On my first day of coverage in Los Angeles for The 59th GRAMMYs, I attended The Recording Academy Producers And Engineers Wing 10th Annual event which honored 12-time GRAMMY winner Jack White. The artist’s friend Conan O’Brien was on hand and stopped to chat about his Patriots winning Super Bowl 51. I also spoke with Regina Spektor and Academy President Neil Portnow.



Jeremy and Samantha (Sammy) have been friends since middle school although they waited until after completing college at Yale and NYU respectively to form Marian Hill. The duo’s single “Down” is taking off after a placement in the new Apple commercial and they’ve also collaborated with Fifth Harmony’s Lauren Jauregui. They talked about those topics and much more when they stopped by my show recently.

Singer/songwriter Adam Friedman stopped by the show to talk about his new EP ‘Green’ and the single, ‘What If?’ which he’ll be performing on “The Bachelor” February 13. Friedman also talked about his friend and collaborator Mike Posner’s GRAMMY nomination for “Song Of The Year.”


After spending her 2016 battling cancer and completing the New York City Marathon, American Idol alum Jax kicked off the new year with some new tunes.

The New Jersey native, nee Jaclyn Miskanic, released an EP on January 27 called “Funny.” Yes, she’s pretty lighthearted in person, but at times perhaps all she could was laugh when she dealt with both personal and professional highs and lows.

“It’s kind of just about a toxic relationship that you can’t get enough of,” she explained when I asked the inspiration behind “LSD” – a song which plays off of the Beatles’ classic “Lucy In The Sky With Diamonds” and one that we world-premiered on the radio show last week. “I think everyone has been there in their own way.”

The first time Jax joined my show was about a year ago; she had just released “La La Land” and stopped by to promote it. The next time I interviewed her was over the summer, after she revealed the thyroid cancer diagnosis and her plans to not only defeat it but then conquer the NYC Marathon.

“I feel great. I ran a freakin’ marathon!” Jax insisted when I inquired last week how she was feeling. “Everything’s good.”

Jax was happy to complete the 26.2 mile trek through New York City’s five boroughs, an experience she simply described as “awesome.” Will she run it this year as well?

“I think I will… don’t quote me!” she responded. “I have to start running again. I just got an Apple Watch. I think that was like my mother’s way of telling me you need to start working out again!”

The annual marathon doesn’t take place until later in the year, giving Jax plenty of time to not only train but also promote and perform her new EP… or at least devise a plan to do so.

“I think we’re kind of winging it,” she revealed. “We’re just putting out the material and hoping that everyone kind of connects with it. We have some shows and ideas coming up so we’ll keep everybody posted but I’m just really nervous for the release.”

Also out January 27, a new EP from Hot Chelle Rae guitarist and long-time friend-of-the-show Nash Overstreet, who coincidentally co-wrote and produced a song on Jax’s project. The “Idol” runner-up recalled meeting Overstreet a few years ago during her run on the TV show but he actually remembered a chance-encounter with the singer at a talent show in New Jersey a few years prior to that. Regardless, the two linked up via social media and eventually hit the studio together to collaborate on “Stars.”

The track is one of six on the new EP; Jax recorded a number of other songs as well that she hopes to release in the not-so-distant future.

It definitely came as no surprise to long-time fans of One Direction and long-time listeners of my radio show that Niall Horan is a “massive” fan of President Barack Obama. Horan revealed his admiration for the First Family during a chat on my show back in 2012; the aforementioned quote attributed to the singer became a popular Tumblr meme (only second to the GIF-able moment when Louis Tomlinson decided to crash our interview).


“I’m a big fan of their dad,” Horan told me as we talked about Malia and Sasha Obama, the President’s daughters, who at the time had recently just hung out with One Direction at a concert in Fairfax, Virginia. “They were sitting on the side of the stage, so I was waving at them.

“They’re just regular kids,” he continued. “They got to have a childhood and then they became ‘the President’s daughters.’”

Fans of Horan retweeted a clip of the interview that I had posted after the Irishman posted a message to Twitter about the Obama’s on Wednesday.

“Don’t get me started but I’m going to miss the obamas (sic),” he said online. “The nicest family on earth.”

Horan and his bandmates connected with Malia and Sasha at the Kids Choice Awards that year. The First Family said that if One Direction couldn’t make it to the White House, then the kids could go to one of their shows. So with Secret Service in tow, the daughters traveled out to the Patriot Center where they hung out with the guys backstage.

“We just had a conversation about everything,” Horan said. “It went from food to roller coasters to life to them having loads of security all the time.”

Which at least on some level, One Direction could relate to, although even Horan was taken aback by the Secret Service detail – which at the time struck me as one of the more surprising moments of our interview.


As the band prepares for its upcoming tour that kicks off later this month, DNCE looks back on 2016 rather fondly.

“Getting a VMA for Best New Artist, that’s really special for us,” was one of the first things lead singer Joe Jonas told me he’ll remember about the year, besides of course releasing the quartet’s debut, self-titled album. “Touring with so many amazing artists and growing our fan base more and more, and we can’t wait just to be able to do it all over again hopefully.”

The LP, which dropped November 18, came out over a year after DNCE’s initial EP. According to Jonas, the prolonged success of “Cake By The Ocean” was one of the reasons for its delay.

“It’s been a long time coming,” he admitted. This was the first time that I had chatted with the group since the album’s unveiling. “Yeah the album’s out, and what a great way to kind of cap the year off with being in Times Square and celebrating with all of these amazing people that are kind of bearing the cold.”

I sat down with Jonas and his bandmates Jack Lawless, Cole Whittle and JinJoo Lee in their hotel suite before the group performed “Cake” and “Body Moves” on “Dick Clark’s New Year’s Rockin’ Eve.” It was Jonas’ third time performing the event; in 2007 and 2009 he did so with his brothers Nick and Kevin. Lawless, who played drums for The Jonas Brothers, joined those times as well. But for Whittle and Lee, joining a million people to ring in the New Year was a new experience.

“We’re all wearing adult diapers underneath actually, just to keep things legit,” Whittle cracked when I inquired how they were staying warm. He eventually told me that because of how much the band moves around on stage, they wouldn’t have an issue with the temperature outside.

“It’s amazing how many people are waiting all day for this awesome event,” Lee said of her first New Years in Times Square. “I can’t wait to celebrate with all of those people.”

DNCE, which played the Orange Bowl Halftime Show in Florida the night before New Year’s Eve, now heads west for their headlining tour that starts January 17 in San Diego.

“We think the world needs more love,” Jonas responded when I asked if the band had a New Year’s Resolution. “And hopefully we can bring some joy and happiness to people.”

Imagine standing in the middle of Times Square on New Year’s Eve. Now picture that you’re live on the radio. And add in the fact that you have no producer, no intern, no assistant… no one. Well, no one to help you; there are obviously plenty of (read: a million) people surrounding you.

Welcome to my New Year’s Eve broadcast in Times Square on 95.5 PLJ. This was the third straight year that I had the honor of hosting the show and the second consecutive broadcast where we partnered with Dick Clark Productions so that I had space inside ABC’s Good Morning America studio. Thanks to our friends at Times Square Alliance, I had full-run of the “Center of the Universe” as well; I spent my evening literally running between the third floor of the GMA studio (without using the elevator mind you) and the crowd with stops in between to interview DNCE, Miss America, Gavin DeGraw and a few revelers.

But even as I managed to book, edit, produce and host the show, there were some difficulties simply out of my control. No my in-ear monitors didn’t go out, rather our entire wireless broadcast system went down. So as the clock struck midnight and the 11,800 pound crystal ball completed its descent, I dialed in to the studio to ring in 2017 over the phone.

When you’re live in a setting like Times Square for New Year’s, these are issues that you actually can prepare for; you simply create backup plans for everything because anything can go wrong. Over the 7 hours I spent in the Theater District I dealt with a broken audio recorder, a late interview and faulty internet connections on top of everything else you would normally expect: heightened security, large crowds and the weather.

Although the temperature hovered around a balmy 40 so that wasn’t awful, but I digress.

It’s stressful but in the moment, a lot of fun. At any moment I’m in a hotel suite with Joe Jonas, editing audio on my laptop, talking with a couple from the Philippines who is visiting the city for their first time or simply pausing to take it all in. Because despite all of the difficulties that I encounter with the show, I still couldn’t imagine spending my New Year’s Eve any other way.



It is impossible to look back on pop music in 2016 and not talk about The Chainsmokers. Alex Pall and Drew Taggart created two of the year’s biggest hits: the infectious “Don’t Let Me Down” that features 18 year-old Daya and “Closer,” an inescapable duet that Halsey assists on. “Don’t Let Me Down” was the most spun track on pop radio this year and using that particular metric, also the song of the summer. “Closer” spent 12 weeks atop both the Billboard Hot 100 and pop radio airplay charts. Combined with “Roses,” a song that they enlisted an artist named Rozes to sing, the duo sold 10 million singles in the U.S. alone.

Those songs helped The Chainsmokers score an American Music Award in 2016 and three GRAMMY nominations for the award show this February, including Best New Artist.

But as improbable as the DJs success may be (even Pall and Taggart admit they wouldn’t have settled on “The Chainsmokers” had they realized their staying power), what is crazier is that the group’s first two singles are all-but-forgotten about: the novelty track’s “#SELFIE” and “Kanye.”

“’Closer’ wasn’t their first hit,” is the response I received from Jake Miller, a friend of Pall and Taggart’s, recently when I brought up how impressed I was that they were able to shift from tongue-in-cheek records to the highly-coveted lane of radio-friendly pop music. I reminded him that “#SELFIE” was guys’ first single.

“It’s funny you say that because I don’t even think of them for that song,” Miller continued – a sentiment that many probably share and that certainly speaks to how massive the subsequent singles have been. “I honestly completely forgot they did that song.”

For The Chainsmokers, that might be a good thing. Nonetheless, the guys still don’t seem to be taking themselves too seriously.

“We go in with like, low expectations… very low expectations,” Taggart told me before the artists performed “Closer” and won “Favorite Electronic/Dance Music Artist” at the AMAs. “But regardless to be a part of the pop community now and have our work recognized is awesome.”

And the DJs aren’t slowing down anytime soon. Pall and Taggart just dropped a music video for “Setting Fires” off of their EP “Collage.” The duo is also back in the studio creating new music.

“I think the stuff we’re working on now we’re most excited about,” Pall said. “I don’t know if that’s because it’s newest, but it just feels different and exciting. We’re pumped about it.”

The Chainsmokers recently posted on Snapchat a clip of them in the studio with Coldplay lead singer Chris Martin, an experience that Taggart characterized as “crazy” because the guys grew up listening to his band.

“I think a lot of the music that’s already been out from us is heavily-inspired by Coldplay, especially the emotion that Coldplay has; that melancholy, bitter-sweet emotion that they get in all their songs,” he explained.

Taggart explained that his first goal was to “be cool” and attempt to catch a vibe with the lead singer. Neither man would reveal if they were working on a Chainsmokers project or something for Coldplay’s future (the band recently revealed that an EP was on the way after 2017), but Pall promised that whatever they’re working on, it’s “dope.”

Given the duo’s track record, I’ll take their word for it.