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Woke up early (or perhaps, stayed up late?) to join my friends at the PIX11 Morning News and talk about this year’s GRAMMY Nominations. Of course we covered some local artists who received nods, the major categories and who might have been snubbed. A big thanks to Dan, Oji, Betty and Marcia for having me!

A lot of things felt different about my latest trip out to Los Angeles for The 2017 American Music Awards. I think a lot of that was rooted back in New York; I didn’t book my flight until about two weeks out and it was my first cross-country trek since I packed up and moved downtown in to my new apartment. The move, along with a change in schedule at work and my marathon training/completion have all hindered me from settling in to a new routine. That’s fine; I am flexible and can work around life events. But it doesn’t mean it comes easy; especially relative to my prior routine.

For example: my dry cleaners and wash-and-fold also handle my alterations. Most of their services could be turned around in 24 hours and they are located a block away from my old apartment on the route I’d walk to take the subway to-and-from the studio. The woman who cuts my hair is also still on the Upper West Side and was a five minute cab ride from my prior place.

I now live 30-40 minutes away from both. Grocery shopping? Still haven’t found a one-stop-shop in the hood. Cobbler or computer repair technician? Probably will still go to my old stomping grounds uptown for those.

Before I moved, I had trip preparation down to a science; it actually got to the point where my getaway day (24 hours before my flight) because rather relaxing because I was able to accomplish every errand necessary the prior weekend. On this trip, my getaway day was jam-packed and there were at least two or three tasks I didn’t complete.

When I landed in LA, I had to drop off dry cleaning (which I forgot to pickup), shop for clothes and buy a wireless keyboard from Target because my laptop’s enter button is broken (need to find a new computer guy). Then, I attempted to compensate for the craziness of the lead-in to the long weekend by not going out as much during my trip. The positive from this is that I was able to both publish all of the content I hoped for while also getting a little bit of sleep; the negative is that socializing with colleagues can be one of the more important and enjoyable parts of the experience.

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Friday and Saturday went as planned with one caveat: I feel like for whatever reason, perhaps one aforementioned, I was focused more on the content and my radio show than myself. For example, I don’t think I stressed as much about my wardrobe this time around. I also never really went out of my way to get good photos of me on each day in front of the step-and-repeat. But I encountered another curveball on Sunday: my job responsibilities changed. For the first time in my five years of covering the AMAs, I did not have a red carpet or one-on-one room assignment. Heck, I didn’t even have a credential; rather a VIP ticket in the orchestra level of the Microsoft Theater. So I used my free time during the day to get a little more work done and check out my Buffalo Bills, who happened to be in town and playing the Los Angeles Chargers in StubHub Center.

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The positive? I got to experience my first live NFL game on the west coast, support my hometown team and check out a new venue.

The negative? I’m a Buffalo sports fan, and sadly nothing has felt different about that since I was a kid.

Some news and notes after Sunday night’s American Music Awards broadcast from my vantage point as an audience member inside Los Angeles’ Microsoft Theater…

– Fun fact: This was my first time actually watching the AMAs from the crowd? My previous four years were spent in the press room. I was given a VIP Orchestra seat and hung out with my fellow Cumulus Media/Westwood One colleagues.

– There were other familiar faces nearby though – Rachel Platten was at the end of the row in front of us! Always love when she and I have a chance to catch up. Rachel is heading to New York for Thanksgiving; she’ll be singing for children in local hospitals on Turkey Day. How amazing is that? Not-so-amazing: after we snapped this selfie, a waiter walking up the aisle spilled a cup of ice on her. Thankfully, no harm no foul.

– During his opening, Jamie Foxx went a bit off script. Ahead of the broadcast, the instructions given to us by Executive Producer Larry Klein were that we were to stay seated and quiet for Jamie’s speech and the P!nk/Kelly Clarkson performance, saving our energy for the opening credits. But Foxx had a different plan, asking everyone to make noise and stand. It contracted what we heard and it might have come off weird on TV because Foxx was the only person lit for the entire segment.

– Especially considering it didn’t happen right in front of us on stage, the audience inside Microsoft Theater was really captivated by the P!nk “Beautiful Trauma” performance. dick clark productions really outdid itself again – Drake performing in the Bellagio fountains for the Billboard Music Awards was epic. You could say the latest stunt reached new heights…

– The BTS phenomenon was fun to witness in real life. Every time the guys stood up, the audience screamed. Every time there was a cut-away shot to the guys, the audience screamed. It got so bad that I’m pretty sure producers had to stop showing some of the cut-aways in the venue because the suddenly loud screams were probably startling performers. And there was just as much noise outside; over 5,000 people gathered in L.A. Live to try and catch a glimpse of the K-Pop boy band.


– When the crowd figured out during the commercial break that BTS was next to perform, well… here’s what it looked and sounded like…

– Some of my personal favorite performances: Demi Lovato, Niall Horan, Shawn Mendes and Portugal. The Man. Demi sang to a track for the chorus of “Sorry Not Sorry” but had no backing vocals on the verses, which she slayed.


– Final fun fact: In order to get everyone in their seats so the place looks full when the broadcast begins, the venue shut down concessions 15 minutes prior to the show’s start. As soon as the AMAs went live on ABC, the alcohol began flowing again… or at least, that’s what a well-placed source told me.

It was the day before The 2017 American Music Awards and we were very, very busy at our backstage perch by Microsoft Theater. The day started with a visit from K-Pop boy band BTS. Demi Lovato, Bebe Rexha and many more swung through as well to talk about the AMAs, holiday plans and more. Watch and listen below!



A number of familiar faces stopped by day one of our backstage broadcast from the American Music Awards in downtown Los Angeles. We caught up with Kelly Clarkson, Julia Michaels, Walk The Moon and many more artists – watch and listen below.




Sure I was in Los Angeles covering The 59th GRAMMYs, but that didn’t stop me from making some headlines in my local neighborhood’s blog.

I’m a big fan of Westside Rag if for nothing else, it keeps me updated on the latest openings and closings in the area, and that alone is a lot to track in this day-and-age of Gotham. Recently, I read on the site about complaints regarding noisy neighbors just blocks from my apartment.

These weren’t just any neighbors though; they were cast members from the latest season of “America’s Next Top Model.”

So when recently-eliminated contestant Paige Mobley stopped by our backstage broadcast inside LA’s Staples Center, well I felt compelled to bring these rumors to her. And I was surprised to hear her response.

Check the interview below and the WSR write-up here.

It probably doesn’t matter which Cyrus you’re talking about: for any of them, it’s pretty exciting to have a song on the radio and participate in GRAMMY Week.

The latest to partake in this is Billy Ray’s youngest daughter and Miley’s little sister Noah, who is making a name for herself with the Labrinth-assisted track “Make Me (Cry).”

“I’m like a little stressed out, a little nervous,” the teenager offered during our chat inside Staples Center. “This whole experience has been great.”

The experience has included releasing the track, performing on “The Tonight Show” and prepping for an upcoming spot on James Corden’s “The Late Late Show.” Corden hosted The GRAMMYs last weekend and Cyrus divulged to us that she would probably watch the award show at home, on the couch, Chinese food in hand.

It probably served as a well-deserved break from the promo run she’s been on behind the single. Cyrus is currently in the studio working on her debut album, “NC-17.”

“I don’t have a date for it yet,” she said. “It’s very far along but I still just want to get those final few songs that are like, ‘Alright, this is what makes the album me.’”

And something tells me that if she’s looking for advice on that, well… she won’t have to travel far from the couch to get it.

Julia Michaels is attempting to complete a transition that a handful of other artists are familiar with: Keri Hilson, Ne-Yo, Jason Derulo and Ryan Tedder come to mind immediately.

The songwriter is now keeping the hits for herself, and singing them. It all started with a track that is currently climbing up the pop radio charts: “Issues.”

“The song was so personal to me,” Michaels explained to me. “It felt uncomfortable thinking that someone else was going to sing such a personal song of mine.”

So Michaels sang it and now radio stations are playing it. It’s far from the first time she’s heard her lyrics on the airwaves though; the songstress has a co-write credit on Justin Bieber’s “Sorry” and has also penned tracks for Demi Lovato, Britney Spears and the aforementioned Derulo to name a few.

“Of course I had respect for them before, but now I’m like, ‘You guys are my heroes,’” Michaels said of her newer-found-respect for the artists she has worked with. “This is so different.”

In example: instead of at an event or in the studio on GRAMMY Week, there Michaels was at our backstage broadcast, granting interviews with radio stations across the globe regarding her past discography and current single. But with

“The first time I heard ‘Issues’ on the radio I bawled like a baby,’” she admitted. “I was like, ‘Whoa, this is happening. It’s so crazy.’”

And if the success of her prior hits is any indication, it’s only going to get crazier.

The times’ they are-a-changin’. It used to be based on call-in requests or “call-out” research panels. Lately it’s charts populated by tweets or “Shazams.” And for Starley, it was a zero-percent skip rate on Spotify.

“It went nuts online,” Starley, surname Hope, said of her track “Call On Me.” A remix by producer Ryan Riback made its way to a playlist on the streaming service and what followed was the makings of a hit record, although some stations in the U.S. opt for the original opposed to the dance version. “It broke my career as an artist and it’s really cool.”

And interestingly enough for Starley, the newcomer has zero preference on which version people hear.

“I think it’s really good to have different versions out of something because if certain people like that dance version, that’s great,” she explained. “But if it reaches a certain other type of people with the slower version, I’m cool with that… the more, the merrier.”

Hey, the idea of a popular remix worked out well for Mike Posner, who scored a GRAMMY nomination in part to the popularity of SeeB remixing “I Took A Pill In Ibiza” from its original form. There Starley and I were, talking about this inside Staples Center during GRAMMY weekend as Posner’s track was up for “Song Of The Year.” But first things first – the singer wants to release more music.

“I’m working on an album, working on my next single,” she revealed. “I haven’t got any dates, but it’s definitely coming.”

Hopefully for Starley like “Call On Me,” her fans will be sure not to skip over it.

For day three of our broadcast with Westwood One Backstage at The 59th GRAMMYs we chatted with a bunch of current and former nominees while also speaking with a few friends-of-the-show. It was great to see Train’s Pat Monahan and Gavin DeGraw. I also interviewed Lukas Graham for the second time; the first time was at The GRAMMYs last year and now they’re up for three awards including Record and Song Of The Year, plus they’ll perform with Kelsea Ballerini. Noah Cyrus stopped by and compared me to her dad, LeAnn Rimes remembered her big GRAMMY wins from 20 years ago and Charli XCX explained how she chooses to collaborate with people before I brought up Selena Gomez to her.