Now that I’ve had a few days to process everything, some news and notes from my first ever GRAMMYs red carpet…

– The GRAMMYs red carpet is reminiscent of one for a big movie premiere in that it’s quite expansive, filled with top level stars, chaotic in spurts and covered by outlets of all shapes and sizes. Jayde Donovan and I were holding down the fort for our radio network, Westwood One. We were towards the end of the media lineup – to our left were The Garden social media team and WWD.com. To our right? A Japanese TV outlet that is clearly big across the Pacific because seemingly everyone stopped or attempted to stop and say hi to them.

– Always appreciate Scott Borchetta, the head of Big Machine Label Group, making a few minutes for us. He joked that NARAS had quite the wildcard on their hands sitting country group Midland in the front row. On a more serious note, he thought Taylor Swift had a good chance in both categories she was nominated, especially Best Country Song for writing Little Big Town’s “Better Man.” She came up empty for that along with “I Don’t Want To Live Forever” from “Fifty Shades Darker” in the Visual Media category, one that Borchetta believed is a “flip of the coin.”

– When we flagged Victor Cruz over and he revealed to Jayde that he was presenting the “Despacito” performance, my first thought was, “Oh, the irony!” Of course, it was two seasons ago that Cruz along with Odell Beckham Jr. and other Giants players flew to Miami the week before a playoff game to hang with Justin Bieber in Miami. Not only would the G-Men lose to the Packers, but some would point to the incident as the reason why Cruz wasn’t brought back to the team.

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– Speaking of “Despacito,” I think anyone and everyone who had anything to do with that song and wasn’t named Justin Bieber was on the red carpet. The producers, the artists, the principle songwriter, the guy who opened the studio door… it was incredible!

– The white roses Jayde and I wore were donated by 1800Flowers.com and the whole movement was championed in part by one of our colleagues, Melony Torres – very cool.

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– It always amazes me that sometime the biggest stars are the ones most generous with their time. With that said, it was cool to see Tony Bennett spend a few minutes chatting with Jayde.

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– Loved catching up with Long Island’s own Hoodie Allen, who told me he knew about his buddy Ed Sheeran’s engagement for a whole and to him and those around Ed it came as no surprise. I wonder if Hoodie is in charge of the bachelor party…

– Mayor Bill de Blasio and his wife told us that city officials worked hard to get The GRAMMYs to The Garden. Later, when I asked Recording Academy President Neil Portnow about New York as a host city, he went out of his way to mention the administration sang a rather different tune, stating tonight wasn’t the time to address the challenges working with them.

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Although for me, the best part of our interaction with Mr. Mayor was after I shook his hand, when I told the Boston-born lifelong Red Sox fan, “Let’s go Yankees.”

I’m sure the Mayor appreciated it as much as Mr. Portnow’s comments.

Believe it or not, one of the more inspirational moments I experienced on The GRAMMYs red carpet involved interviewing Danny Gokey. You may remember the singer as the third finalist on the eighth season of “American Idol.” After an introduction so vast on a show so popular, it usually becomes difficult for artists to be known for anything other than appearing on the TV competition. That usually leads the contestants to either embrace it or spend the rest of their career attempting to erase it.

Gokey took a path less traveled: a career-reinvention of sorts. However his goal was far deeper than shedding a label or scoring a hit record.

“I got to create from what was on the inside of me at the beginning,” Gokey, standing alongside his wife Leyicet, told me. “What I tried to do was create an impact.

“We’re all created uniquely. I know a lot of times we deal with insecurities like, ‘Oh man, that person is getting a lot more looks than I am,’ but really people have to think, ‘No, what you do – no one else can do.’”

Gokey further explained that by people not conforming to others’ standards and staying true to themselves, they will be able to travel to places never imagined. And for the singer, that place was The 60th GRAMMYs, earning his first career nomination in the Best Contemporary Christian Music category for his album, “Rise.” Gokey attributes the album’s success to his record label, BMG, affording him the freedom to practice what he preached. It serves as yet another example that the most impactful art is the most honest.

Even before he won The GRAMMY for Best Remixed Recording, DJ/producer Latroit knew he would be taking home a gramophone of some sort.

“My mom made a GRAMMY statue cake,” he told me last Thursday during an interview for Westwood One’s coverage of music’s biggest night. “No matter what happens, I’m leaving with a GRAMMY statue! I can eat the one I have though.”

The artist, born Dennis White, hails from Detroit but noted that family from across the country had descended on New York for his first nomination. Latroit won with his remix of Depesche Mode’s “You Move.” The award was handed out during the Premiere Ceremony, which took place inside The Theater at MSG.

“My friend Jason Bentley was working on a project with (‘You Move’) and he is familiar with my sound and thought maybe something interesting would happen there,” Latroit explained. “He asked the band if they would like a Latroit remix, someone said yes, asked if I wanted to do it and I fell over because I wanted to do it.”

For Latroit, this was far from the average collaboration.

“There was a ton of pressure because I knew these guys were going to hear my interpretation of their song and their fans are devout fans,” he noted of Depeche Mode. “It was important to me to create something that really spoke to and rose to the occasion of Depeche Mode’s legacy.”

That legacy includes five GRAMMY nominations and now, a song that led to an awarded gramophone – of both the edible and non-edible varieties.

Fresh off rehearsing on The GRAMMYs stage, Bebe Rexha dropped a rather unsurprising yet noteworthy tidbit: her mom and Jimmy Fallon are basically BFFs.

“He’s actually cool with my mom,” the songstress replied when I asked her if she had any face time with Fallon following her performance of “Meant To Be” on “The Tonight Show.” “They were in the dressing room for like 30 minutes, my whole team was in there, but I had to run and go listen to the mix and I was like, ‘I don’t know what they’re doing.’ It was funny.

“I feel proud of that song,” Rexha added regarding the performance featuring Florida Georgia Line, “so every time I can perform it, it’s like a moment.”

The Brooklyn-born artist reiterated that the song is a departure both for her and for pop music at the moment. It inspired Rexha’s transition to a new project called “Expectations,” which she still plans to release this year.

But this past weekend, she was at home, getting ready to attend and perform at her first GRAMMYs.

“I’m like, ‘What? The GRAMMYs are in New York? Yas!’” she exclaimed. “I’m talking to Cyndi Lauper and she’s like (mimics New York accent), ‘Yeah, yunno, I gotta put my in-ears in, I gotta do all this,’ and I’m like, ‘Yes! I feel like I belong now,’ because people usually make fun of my accent.”

Rexha joined Lauper, Camila Cabello, Julia Michaels and Andra Day in supporting Kesha’s performance of “Praying” at The 60th GRAMMYs on Sunday, in what was the most poignant moment of the show.

When singer/songwriter Max created “Lights Down Low,” he wrote the song for his now wife, Emily. Max eventually proposed to her with the song before releasing it as a single. The track is now platinum and cracked the top 10 this week at pop radio. Of course it’s significant on a lot of levels to the artist, but what has its success meant to his wife?

“It’s so insane,” Emily told me after her husband performed at Hackensack Meridian Health Stage 17 as a part of GRAMMY Week. “It’s coming up on 3 years now when I got first sent the original file. Listening to it in my bed, under my covers by myself, to now we’ve traveled the world because of the song together and met so many amazing people, shared so many amazing stories… it’s insane. I never imagined this life.”

“If a song doesn’t mean this much to me, I wouldn’t want it to be this heard,” Max added. “In that way, it’s been very healthy because yunno it’s like, ‘Oh well, maybe somebody should write your new single,’ or something like that and it makes me realize: no. It has to come from my heart because I can’t imagine spending my entire life, every day talking about a song that isn’t something that means so much to me.”

So as the song continues to climb up the chart, Max, nee Schneider, is embracing the pressure of a follow-up as he continues work on his sophomore album. The artist entered a rare stretch during GRAMMY Weekend where he was actually able to hang out at home in New York for a few days – catching up with family, hitting up the studio and even stopping by The Garden to watch his beloved Knicks.

PIX11 Entertainment Anchor Ojinika Obiekwe stopped by Hackensack Meridian Health Stage 17 to chat with me about GRAMMYs week in New York City – from the cool parties and events to the local women who were nominated by the Recording Academy. A big thanks to Oji and PIX11 for having me contribute to their coverage; check out both segments below.

If you’re wondering whether artists who were once tour mates of singer Ed Sheeran’s have congratulated him on his pending nuptials, the answer is yes, at least in one instance.

“I did actually congratulate him,” Lauv told me on Tuesday before performing in front of a live audience at Hackensack Meridian Health Stage 17. “It’s crazy. I remember him saying like, ‘I think I have the one, for real.’

“And then to see that they’re actually engaged now is beautiful.”

Sheeran popped the question to long-time girlfriend Cherry Seaborn before the New Year and then announced the engagement shortly after the first on his Instagram.

Lauv supported the “Shape of You” artist on the leg of his “Divide Tour” that stopped in Asia this past fall. He played HMH Stage 17 as the single “I Like Me Better” becomes a global hit, charting in a handful of countries and already cracking the top 10 in Australia and Germany. The singer, nee Ari Leff, has written all of his songs thus far about the four years he lived in New York City while attending New York University. Following graduation, Lauv moved to Los Angeles in pursuit of his dream.

“The weather is beautiful,” he remarked, noting that it is a cliché description of moving west to LA. “But I just feel like New York is a kind of a more ‘real’ place, if that makes sense?”

And for Lauv, that’s a good thing, as he always loves returning to the Big Apple. He’ll be back again next month as a part of his “I Met You When I Was 18 World Tour” – the first Lauv has ever embarked on as a headliner.

For Walk The Moon lead singer Nick Petricca, the band’s new album and current tour have provided him with a New Year’s Resolution for 2018: letting go of fear.

“I feel like when I see my favorite artists on stage, I’m just like, ‘Wow, they just go out there and are hiding nothing,’” he explained to me over the weekend. “They seem fearless. And it’s interesting, ‘One Foot’ in front of the other has become this song that we’ve been kind of like forced to practice what we preach.

“You can’t really think twice,” Petricca continued. “You can’t be up (on stage) judging yourself the whole time or else the thing kind of crumbles.”

The aforementioned “One Foot” is a perfect example of this new era within’ the Cincinnati-based quartet: a catchy, infectious up-tempo sing-a-long that still contains some gravitas and vulnerability. Walk The Moon’s third LP, “What If Nothing,” is the group’s most vulnerable to date: so much so that another benefit arose as the band created the “Press Restart Tour.”

“We can put a little more of an emotional curve in to the set,” guitarist Eli Maiman noted. “I think prior to now, we had a disproportionate amount of songs that were kind of, ‘up.’ The set at this point is very contoured in terms of its emotional impact.”

A quick look back to Walk The Moon’s recent history reveals how this happened: following the worldwide hit “Shut Up And Dance” and the subsequent trek supporting the album “Talking Is Hard,” the band took a break… almost, for good. That changed at bassist Kevin Ray’s wedding; the first time since the hiatus that all four members were together. Shortly thereafter, the group re-entered the studio and began working on what would eventually be “What If Nothing.”

Petricca believes the band is hungrier than ever, and part of that may be attributed to what they learned about each other during their time off.

“We all are respecting our own humanity on a different level,” the front man admitted. “I think we’re seeing the ways that it serves the music as well; not just burning all of the candles at all of the ends and playing as many shows as possible but also just making sure that we are 100% for the listeners and for our fans.”

I caught up with three-fourths of Walk The Moon before soundcheck at Mohegan Sun Arena in Uncasville, Connecticut on Saturday; drummer Sean Waugaman was napping and understandably so. The guys just landed that morning from a red-eye flight after performing a radio show in Los Angeles the night prior. A full schedule of promo followed soundcheck; the band then took the stage around 9:10 pm.

And yet despite all of that, the quartet sounded fantastic Saturday night. It was if once on stage, they were fearless.

Phillip Phillips is just like you and me when it comes to New Year’s Resolutions.

“I love sweets,” the “American Idol” winner confessed to me. “I love chocolate. I love hot deserts. And so I’m trying to…”

Phillips cut himself off before he could finish the sentence.

“It’s hard to give up the sweets,” he finally admitted. “But I’m trying!”

In addition to his own admitted indiscretions, Phillips noted that his wife’s cooking is just too good to pass up.

“She makes them for other people, but I have to eat them,” he continued. “I make sure it’s not poisonous. I’d rather take my life than anyone else’s, you know what I mean?”

All kidding aside, Phillips’ wife Hannah is influencing more than his diet – she also played a role in the singer’s new album, “Collateral.”

“These songs came alongside a lot of struggle and also a lot of light and a lot of love with getting married,” Phillips explained after I asked about the title. Almost four years passed between his second and third LPs; part of that time can be attributed to a legal battle between the artist and 19 Entertainment, which produces “Idol.” The parties settled the dispute this past June, thus paving the way for new music.

“I just want them to have a connection with it,” the Georgia-native responded when I asked what he hopes listeners will take away from his latest body of work. “These songs I’ve had for, some of them for three years, some of them for a little less than that.”

While talking about the album, Phillips described its sound and content as both varying in genre and tempo. He mentioned one song in particular, “Dance With Me,” which Phillips wrote for his wife. It was released ahead of the full album and its cover art was a photo of the two’s first dance from the wedding. The idea to use it came from one of the couple’s friends.

As soon as Hannah relayed the suggestion to Phillip, he was on board and they selected a picture from the wedding photographer to use. No word on if the friend received one of Hannah’s confections in return.

Attorney Jill Stanley, PROOFWithJillStanley.com, called in to chat about the latest sexual impropriety allegations around Aziz Ansari and the sexual battery allegations levied against Seal.