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Since 2010, Niall Horan has been on quite the rollercoaster. The Irish-born singer first came to fame on “The X-Factor” across the pond, where Simon Cowell hatched the bright idea to pair him and four other contestants together. What followed was a phenomenon: five chart-topping albums, sold-out stadium tours and millions upon millions of screaming fans.

But now Horan is signed to a different record label, releasing music as a solo artist and moving at a speed that must feel more comfortable.

“Yeah, it’s great,” when asked Horan about the pace of his new project with Capitol Records. “I kind of just made a decision that I would do everything at my own pace and I said it to my manager and to my label and they were completely supportive of it.”

Horan essentially told them that he would work on the album and he would notify them when it was finished. Update: it’s pretty much done.

“I’ll probably release it in the fall or something,” he said. “I just have to do a little bit of production stuff and it’s all kind of recorded and stuff like that.”

The Irishman doesn’t have a title yet but he has released two songs from the LP, “This Town” and “Slow Hands.” When I asked about the song selection, it sounded like the former wasn’t really intended to be a proper first single.

“I just wanted to let people know I was still doing music to be honest and it just kind of happened,” Horan explained of releasing “This Town.” “It took a life of its own.”

There was definitely a more methodical approach behind “Slow Hands.”

“I wanted to kind of beef things up a little bit and show I was a little bit more diverse,” Horan noted. “The whole album wasn’t going to be all finger-picking stuff.”

Horan started writing for the project in “March or April of last year.” The singer hopped in-and-out of the studio between days off before “This Town” started climbing the charts and the project’s timeline sped up – something Horan credits to those aforementioned fans, who have stuck with him throughout the entire ride.

Last weekend I made the trek up to Uncasville, Connecticut where my friends at Mohegan Sun invited me to head backstage at Mohegan Sun Arena and interview the band Bastille. It was the first time the GRAMMY-nominated quartet played the venue; lead singer Dan Smith and company were fresh in to the North American leg of the “Wild, Wild World Tour” in support of the band’s sophomore effort “Wild World.”

Here are five takeaways from my chat with the group, which was initially broadcasted live on Mohegan Sun’s Facebook page, with a bonus fan-submitted question answered on Twitter.

1.) If Bastille could pick one artist to collaborate with at the moment, it would be Rihanna. “We’ve been asked this for years. We keep saying Rihanna and we haven’t heard a word from her,” drummer Chris “Woody” Wood joked.

2.) Smith confirmed that just as the band released a companion remix album for “Bad Blood”, Bastille will give the same treatment to “Wild World.” “It’s just a question of finding the time,” he elaborated.

3.) Bastille is currently writing it’s third album on the road; they have a designated “Writing Room” backstage. Although last Friday, “Woody” primarily used the space more to play FIFA on Xbox than craft Bastille’s next big hit.

4.) The album art for “Wild World” was not snapped from One World Trade Center, but rather “an undisclosed building, somewhere, maybe.” Smith wouldn’t elaborate but did mention that the cover’s creation is actually a focal point in the show’s production (and I won’t elaborate because I don’t want to spoil it for someone who may be reading this in another part of the U.S. before the concert).

5.) General consensus amongst the band led the members to designate guitarist Will Farquarson as the laziest member of the group, although Smith did mention that there are different genres of lazy. We wanted him to elaborate on this too, but perhaps he didn’t feel like exerting himself?

Watch the full interview and bonus clip below.

There were a lot of “firsts” on my latest trip to Los Angeles: my first time running 14 miles while on the west coast, my first time leaving an item behind at the dry cleaners, my first time covering an award show weekend without attending said award show and my first time flying back and having to travel directly from the airport to the radio station so I could immediately hop on the air.

This and more explains why for the first time, I’m just jotting down stories from the jaunt to cover GRAMMYs weekend… about two weeks after the fact.


Working out is one pre-trip routine; another is visiting H&M Times Square the night before I fly out. In the past, this would be a necessity to pick up a few clothing items last-second. Recently it’s become more of a customary trip because I actually plan ahead and shop for most of my clothes weeks before so I can purchase online.


Regardless, I found a few shirts and made my way uptown. I settled in to my apartment with a coffee, caught up on work and packed. My flight was at 7 am out of JFK so I pulled an all-nighter and slept on the plane.

Having the day in Los Angeles ahead of work obligations was fantastic. Through Amazon Prime I ordered a tripod, almond milk and a case of water for my room. At the Ralph’s supermarket nearby our downtown hotel I picked up produce, a few vegan breakfast items, snacks and hummus. I also made time to drop off the dry cleaning that I would eventually forget to pick up.

After unpacking my suitcase and putting away my groceries, I fit in a nice 5 mile run, then showered and prepared for our GRAMMY broadcast orientation. It took place on Thursday night in the hotel, complete with beer, wine and passed hors d’oeuvres. The night continued with a few colleagues at a posh sushi joint downtown and ended with me passing out instead of meeting up with friends (remember – I pulled an all-nighter and was still on east coast time).


Friday started relatively normal: woke-up on time, fit in a quick jog, grabbed breakfast, prepped and changed. I walked over to Staples Center around 11:30 am for our noon broadcast; in addition to setting-up our space for the weekend I had to meet with network execs and representatives from Twix. For the two-day event myself and TV host Rocsi Diaz would serve as brand ambassadors on site for the candy, interviewing artists about both their music and Twix. Of course this was in addition to my responsibilities with my four radio stations.


Perhaps the most poignant from Friday that didn’t see the light of day: the chat Rocsi and I had with GRAMMY nominee Charlie Puth. I asked Charlie who he would thank if “See You Again” scored one of the three awards it was up for. He responded with his mom, Wiz Khalifa and Paul Walker. Rocsi asked a great follow-up about Paul and Charlie revealed that he never met the late actor, but through the song formed a strong bond with “Furious 7” star Vin Diesel. The two often swap stories regarding Walker and the person who Puth originally wrote the song about and Charlie told us the similarities are striking.

A photo posted by Ralphie Aversa (@ralphieaversa) on


The broadcast is four hours of insanity: handlers moving artists in and around your interview area, pre-taping for radio stations, taping for Twix, posing for photos, brokering scheduling deals to snag time with celebrities, the interviews themselves and then a lot of hand-shaking. I usually wash my hands at least twice during the time I’m there.


The nice thing is that we always wrap with what one executive in our company termed “mandatory fun” – a live artist performance that’s catered with beer, wine and food. On Friday we were treated to a set from Mike Posner.

Typically this is the point where I would retire to my room for the night and edit photos, video and audio until I couldn’t see straight. Instead, I uploaded a photo slide show and a few interviews and then had to get ready for Friday night’s festivities: Rooftop Live at Perch downtown. The evening included music by Audien and a performance from the Joe Jonas-fronted DNCE.


By the way, DNCE is fantastic live.

This is definitely where my weekend turned: I was out late, still on east coast time and my itinerary for the weekend was not letting up. I slept-in Saturday and instead of going for a run, used my morning to continue uploading content from Friday. Then, it was off to Staples Center for round two. The big differences between Friday and Saturday are that on Saturday, I’m not on-deadline with four radio stations and many more artists come by.


As far as interviews, it was nice to chat for the first time with Nick Fradiani, BØRNS and the lovely Hailee Steinfeld. “Mandatory fun” included a rousing performance from Nathan Sykes.

A photo posted by Ralphie Aversa (@ralphieaversa) on


I taped a few more things for the weekend radio shows and then packed up. Again, usually Saturday night would be spent editing non-stop. Instead, I edited quite a bit, grabbed that 3 mile run I skipped earlier and got ready for a night-out. A friend of mine from Niagara Falls, Allyson DeMunda, was performing at the legendary Comedy Cellar in West Hollywood. I had never been to the venue and I wanted to support her, so I trekked out to WeHo for the evening. She was fantastic, as were some of the others, including “America’s Got Talent” season eight runner-up Taylor Williamson. By the time the show wrapped and I found an Uber, Los Angeles already had its last call, so it was back to my room to upload more content and get a good night’s rest.


The elevators in our hotel were out-of-order Sunday, a lovely surprise to wake-up to. Naturally, I was on the top floor. I packed a bag with gym clothes, walked down the stairwell, and checked it at the lobby. Then I headed back to Hollywood for brunch with a buddy of mine – we also watched Syracuse beat-up on Boston College. He drove me back downtown where I picked up that bag and worked out. Yes, I still had editing to do and was able to complete a bit more work before cleaning up for Sunday evening’s festivities.


First stop: Capitol Records iconic Studio A. Frank Sinatra, John Mayer, Daft Punk… so many legendary artists and songs recorded in the room I stood in. To honor the “Chairman of the Board,” I partook in a drink of Jack Daniels, his favorite.


By far this was the coolest moment of the trip. The event was held in the studio, dimly lit with a full bar and light fare. Every song they played in the background was recorded in Studio A. Yes, even “Let It Go” made the playlist.

The event also included a question-and-answer between our SVP/Partnerships Tommy Page and the legendary songwriter Diane Warren, plus a performance by Troye Sivan.


Our crew made a quick pit-stop at The W before heading to the Nielsen Pre-GRAMMY Bash, which was held at Hyde and featured entertainment from the Preservation Jazz Band and the GRAMMY-nominated Leon Bridges. The party was spectacular; full bar, sushi, a couple of carving stations and most importantly a lot of really great people from our industry.


The Sunday night-cap included a trip to In-N-Out and I vow to never order a burger “protein style” again. I ended up taking a quick nap before an early flight back home. Normally I sleep on the plane, but instead I found myself editing copious amounts of video and then being stuck in a holding pattern for over an hour due to the weather at JFK. When we finally landed, it took us a half-hour to taxi yet somehow I still made it (barely) for my show that night.


Naturally, it took my body much longer than normal to recover from my latest west coast trip. And I still haven’t figured out how I’m getting my jeans back.


Yes, another talented pop singer, from Barbados, on “The Ralphie Radio Show.” Meet 18 year-old Jaicko, who checked in to “The RRS” to chat about his new track, “Fast Forward (FFWD).”

Part 1: “Fast Forward (FFWD)”

Part 2: Barbados, Valentine’s Day