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As the band prepares for its upcoming tour that kicks off later this month, DNCE looks back on 2016 rather fondly.

“Getting a VMA for Best New Artist, that’s really special for us,” was one of the first things lead singer Joe Jonas told me he’ll remember about the year, besides of course releasing the quartet’s debut, self-titled album. “Touring with so many amazing artists and growing our fan base more and more, and we can’t wait just to be able to do it all over again hopefully.”

The LP, which dropped November 18, came out over a year after DNCE’s initial EP. According to Jonas, the prolonged success of “Cake By The Ocean” was one of the reasons for its delay.

“It’s been a long time coming,” he admitted. This was the first time that I had chatted with the group since the album’s unveiling. “Yeah the album’s out, and what a great way to kind of cap the year off with being in Times Square and celebrating with all of these amazing people that are kind of bearing the cold.”

I sat down with Jonas and his bandmates Jack Lawless, Cole Whittle and JinJoo Lee in their hotel suite before the group performed “Cake” and “Body Moves” on “Dick Clark’s New Year’s Rockin’ Eve.” It was Jonas’ third time performing the event; in 2007 and 2009 he did so with his brothers Nick and Kevin. Lawless, who played drums for The Jonas Brothers, joined those times as well. But for Whittle and Lee, joining a million people to ring in the New Year was a new experience.

“We’re all wearing adult diapers underneath actually, just to keep things legit,” Whittle cracked when I inquired how they were staying warm. He eventually told me that because of how much the band moves around on stage, they wouldn’t have an issue with the temperature outside.

“It’s amazing how many people are waiting all day for this awesome event,” Lee said of her first New Years in Times Square. “I can’t wait to celebrate with all of those people.”

DNCE, which played the Orange Bowl Halftime Show in Florida the night before New Year’s Eve, now heads west for their headlining tour that starts January 17 in San Diego.

“We think the world needs more love,” Jonas responded when I asked if the band had a New Year’s Resolution. “And hopefully we can bring some joy and happiness to people.”

Imagine standing in the middle of Times Square on New Year’s Eve. Now picture that you’re live on the radio. And add in the fact that you have no producer, no intern, no assistant… no one. Well, no one to help you; there are obviously plenty of (read: a million) people surrounding you.

Welcome to my New Year’s Eve broadcast in Times Square on 95.5 PLJ. This was the third straight year that I had the honor of hosting the show and the second consecutive broadcast where we partnered with Dick Clark Productions so that I had space inside ABC’s Good Morning America studio. Thanks to our friends at Times Square Alliance, I had full-run of the “Center of the Universe” as well; I spent my evening literally running between the third floor of the GMA studio (without using the elevator mind you) and the crowd with stops in between to interview DNCE, Miss America, Gavin DeGraw and a few revelers.

But even as I managed to book, edit, produce and host the show, there were some difficulties simply out of my control. No my in-ear monitors didn’t go out, rather our entire wireless broadcast system went down. So as the clock struck midnight and the 11,800 pound crystal ball completed its descent, I dialed in to the studio to ring in 2017 over the phone.

When you’re live in a setting like Times Square for New Year’s, these are issues that you actually can prepare for; you simply create backup plans for everything because anything can go wrong. Over the 7 hours I spent in the Theater District I dealt with a broken audio recorder, a late interview and faulty internet connections on top of everything else you would normally expect: heightened security, large crowds and the weather.

Although the temperature hovered around a balmy 40 so that wasn’t awful, but I digress.

It’s stressful but in the moment, a lot of fun. At any moment I’m in a hotel suite with Joe Jonas, editing audio on my laptop, talking with a couple from the Philippines who is visiting the city for their first time or simply pausing to take it all in. Because despite all of the difficulties that I encounter with the show, I still couldn’t imagine spending my New Year’s Eve any other way.



Joe Jonas probably has the weekend of November 18 circled on his calendar… or highlighted in his phone. You get the idea.

On that Friday, the Jonas-fronted DNCE will drop its debut, full-length album. The following Sunday, DNCE will head over to the Microsoft Theater in downtown Los Angeles for the 2016 American Music Awards. DNCE snagged two nominations, including New Artist Of The Year, which put the “Cake By The Ocean” singer in a league of his own; he’s the first artist to be nominated for that award twice – it’s a trophy he won with his brothers back in 2008.

“That’s an incredible feeling,” Jonas said when I brought that up to him on Monday morning. He and Rachel Platten helped reveal some of the AMA nominations on “Good Morning America” in Times Square. “I was not expecting that; when Rachel said my name, I had to kind of like, take a second to think about it.
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“It’s overwhelming. It’s a bizarre feeling to know that you can reinvent yourself and hopefully it encourages a lot of artists out there because part of this game is being able to come up with stuff that’s new and evolve as an artist. We do it because of the love of music.”

DNCE is also up for Favorite Group or Duo – Pop/Rock with some stiff competition between The Chainsmokers and Twenty One Pilots. The band also shares the New Artist nod with The Chainsmokers, as well as Shawn Mendes, Zayn and Alessia Cara.

“It’s going to be a party,” Jonas replied when I asked what he thinks that November weekend will be like. “We’ll probably be still on a high from releasing an album but walking in to nominations amongst these great artists, fan-voted completely, that’s the best feeling.”

Jonas noted that it’s also nice just to have a release date for the anticipated LP.

“We have songs that we just created a few months ago and it’s cool to like actually have a set-date rather than kind of the guessing game,” he said. “I just can’t wait for people to hear it. We’ve been playing some of the songs on tour and testing them out but now to be able to have a physical album to hold on to is a good feeling.”

In addition to “Cake By The Ocean” becoming nearly inescapable, DNCE spent this last summer supporting Selena Gomez on tour. Gomez also scored two AMA nods, including for the evening’s top prize for Artist Of The Year.

The 2016 American Music Awards air Sunday night November 20 at 8 p.m. on ABC.

Deputy Style Editor at People Magazine Sharon Clott Kanter called in after the 2016 MTV VMAs to talk about her favorite red carpet look, the moment backstage that melted hearts and Republic Records’ After Party at Vandal in New York City.
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DNCE is one of the more unlikely pop music success stories of the past 12 months. The band is comprised of a Jonas Brother, the brothers’ former backing drummer, a member of Semi-Precious Weapons and a woman who moved to the US from her native South Korea speaking no English and traveling with only her guitar.

A few chance meetings led to a sold-out tour, a four song EP, a top 10 hit and now a gig opening for Selena Gomez.

The story of Joe Jonas, his friend Jack Lawless, Cole Whittle and JinJoo Lee is about as unpredictable as it might seem. So of course it comes as no surprise that while breakout singles usually push up LP releases, the band has actually delayed its debut album due to the prolonged success of “Cake By The Ocean.”

“It’s only a good problem,” Jonas remarked after noting the original release target was spring (now he is thinking fall). “Now ‘Toothbrush’ is starting to take off, our second single, and we’re getting a lot of love from that.”
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The adoration is for more than simply another catchy song; the second from the band’s EP “SWAAY.” DNCE release the music video for the track with plus-sized model Ashley Graham cast as the main love interest. Graham is having a fantastic 2016; she already graced the Sports Illustrated Swimsuit Edition cover.

“Ashley Graham is the hottest thing in the universe,” Whittle said, while also noting that he hoped to have Jonas’ role in the video. “We all have giant crushes on her. When we were talking about the video, that’s what you dream of when you’re 16, when you finally get to make a music video one day (and) you pick the hottest person in the world that you just kind of want to roll around in bed with all day.”

“I think we had an idea that people were going to talk about it because she’s really killing it right now. But our real thinking process was, ‘She’s amazing and beautiful,’” replied the lead singer when I asked if the band was prepared for a conversation about breaking down stereotypes to center around its music video. “Look, yeah, if we somehow change a standard with her for music videos, yunno knock on wood I think that’d be great. She’s a gorgeous woman and that’s what matters.”

DNCE’s four-track EP also includes “Pay My Rent” and “Jinx.” Jonas and company are trying out new songs, such as “Body Moves” and “Naked,” while on tour with his former fellow Disney star Gomez. The band’s trek on the “Revival Tour” continues throughout North America and will extend in to her Australian dates, wrapping on August 11.

And if DNCE’s history is any indication of its future, then the only thing that can be predicted is unpredictability.

There were a lot of “firsts” on my latest trip to Los Angeles: my first time running 14 miles while on the west coast, my first time leaving an item behind at the dry cleaners, my first time covering an award show weekend without attending said award show and my first time flying back and having to travel directly from the airport to the radio station so I could immediately hop on the air.

This and more explains why for the first time, I’m just jotting down stories from the jaunt to cover GRAMMYs weekend… about two weeks after the fact.


Working out is one pre-trip routine; another is visiting H&M Times Square the night before I fly out. In the past, this would be a necessity to pick up a few clothing items last-second. Recently it’s become more of a customary trip because I actually plan ahead and shop for most of my clothes weeks before so I can purchase online.


Regardless, I found a few shirts and made my way uptown. I settled in to my apartment with a coffee, caught up on work and packed. My flight was at 7 am out of JFK so I pulled an all-nighter and slept on the plane.

Having the day in Los Angeles ahead of work obligations was fantastic. Through Amazon Prime I ordered a tripod, almond milk and a case of water for my room. At the Ralph’s supermarket nearby our downtown hotel I picked up produce, a few vegan breakfast items, snacks and hummus. I also made time to drop off the dry cleaning that I would eventually forget to pick up.

After unpacking my suitcase and putting away my groceries, I fit in a nice 5 mile run, then showered and prepared for our GRAMMY broadcast orientation. It took place on Thursday night in the hotel, complete with beer, wine and passed hors d’oeuvres. The night continued with a few colleagues at a posh sushi joint downtown and ended with me passing out instead of meeting up with friends (remember – I pulled an all-nighter and was still on east coast time).


Friday started relatively normal: woke-up on time, fit in a quick jog, grabbed breakfast, prepped and changed. I walked over to Staples Center around 11:30 am for our noon broadcast; in addition to setting-up our space for the weekend I had to meet with network execs and representatives from Twix. For the two-day event myself and TV host Rocsi Diaz would serve as brand ambassadors on site for the candy, interviewing artists about both their music and Twix. Of course this was in addition to my responsibilities with my four radio stations.


Perhaps the most poignant from Friday that didn’t see the light of day: the chat Rocsi and I had with GRAMMY nominee Charlie Puth. I asked Charlie who he would thank if “See You Again” scored one of the three awards it was up for. He responded with his mom, Wiz Khalifa and Paul Walker. Rocsi asked a great follow-up about Paul and Charlie revealed that he never met the late actor, but through the song formed a strong bond with “Furious 7” star Vin Diesel. The two often swap stories regarding Walker and the person who Puth originally wrote the song about and Charlie told us the similarities are striking.

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The broadcast is four hours of insanity: handlers moving artists in and around your interview area, pre-taping for radio stations, taping for Twix, posing for photos, brokering scheduling deals to snag time with celebrities, the interviews themselves and then a lot of hand-shaking. I usually wash my hands at least twice during the time I’m there.


The nice thing is that we always wrap with what one executive in our company termed “mandatory fun” – a live artist performance that’s catered with beer, wine and food. On Friday we were treated to a set from Mike Posner.

Typically this is the point where I would retire to my room for the night and edit photos, video and audio until I couldn’t see straight. Instead, I uploaded a photo slide show and a few interviews and then had to get ready for Friday night’s festivities: Rooftop Live at Perch downtown. The evening included music by Audien and a performance from the Joe Jonas-fronted DNCE.


By the way, DNCE is fantastic live.

This is definitely where my weekend turned: I was out late, still on east coast time and my itinerary for the weekend was not letting up. I slept-in Saturday and instead of going for a run, used my morning to continue uploading content from Friday. Then, it was off to Staples Center for round two. The big differences between Friday and Saturday are that on Saturday, I’m not on-deadline with four radio stations and many more artists come by.


As far as interviews, it was nice to chat for the first time with Nick Fradiani, BØRNS and the lovely Hailee Steinfeld. “Mandatory fun” included a rousing performance from Nathan Sykes.

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I taped a few more things for the weekend radio shows and then packed up. Again, usually Saturday night would be spent editing non-stop. Instead, I edited quite a bit, grabbed that 3 mile run I skipped earlier and got ready for a night-out. A friend of mine from Niagara Falls, Allyson DeMunda, was performing at the legendary Comedy Cellar in West Hollywood. I had never been to the venue and I wanted to support her, so I trekked out to WeHo for the evening. She was fantastic, as were some of the others, including “America’s Got Talent” season eight runner-up Taylor Williamson. By the time the show wrapped and I found an Uber, Los Angeles already had its last call, so it was back to my room to upload more content and get a good night’s rest.


The elevators in our hotel were out-of-order Sunday, a lovely surprise to wake-up to. Naturally, I was on the top floor. I packed a bag with gym clothes, walked down the stairwell, and checked it at the lobby. Then I headed back to Hollywood for brunch with a buddy of mine – we also watched Syracuse beat-up on Boston College. He drove me back downtown where I picked up that bag and worked out. Yes, I still had editing to do and was able to complete a bit more work before cleaning up for Sunday evening’s festivities.


First stop: Capitol Records iconic Studio A. Frank Sinatra, John Mayer, Daft Punk… so many legendary artists and songs recorded in the room I stood in. To honor the “Chairman of the Board,” I partook in a drink of Jack Daniels, his favorite.


By far this was the coolest moment of the trip. The event was held in the studio, dimly lit with a full bar and light fare. Every song they played in the background was recorded in Studio A. Yes, even “Let It Go” made the playlist.

The event also included a question-and-answer between our SVP/Partnerships Tommy Page and the legendary songwriter Diane Warren, plus a performance by Troye Sivan.


Our crew made a quick pit-stop at The W before heading to the Nielsen Pre-GRAMMY Bash, which was held at Hyde and featured entertainment from the Preservation Jazz Band and the GRAMMY-nominated Leon Bridges. The party was spectacular; full bar, sushi, a couple of carving stations and most importantly a lot of really great people from our industry.


The Sunday night-cap included a trip to In-N-Out and I vow to never order a burger “protein style” again. I ended up taking a quick nap before an early flight back home. Normally I sleep on the plane, but instead I found myself editing copious amounts of video and then being stuck in a holding pattern for over an hour due to the weather at JFK. When we finally landed, it took us a half-hour to taxi yet somehow I still made it (barely) for my show that night.


Naturally, it took my body much longer than normal to recover from my latest west coast trip. And I still haven’t figured out how I’m getting my jeans back.

For my fourth consecutive year, I broadcasted from backstage at music’s biggest night, inside the Staples Center in downtown Los Angeles. Day 1 is always the more difficult day because you’ve just arrived on site, you’re setting everything up and you’re trying to work your way in to a flow as artists move in and out of the broadcast area. But the great thing about this year’s first broadcast was the opportunity to chat with Joe Jonas and DNCE, along with GRAMMY-nominees Tori Kelly and James Bay.





The second day of a backstage broadcast is usually a bit more hectic, and while the entire weekend was busier with our “Malibu Mansion Live” event, Saturday was no different from previous day two experiences. Notables that I spoke with included Charlie Puth, Alessia Cara, Michael and Luke from 5 Seconds of Summer and Joe Jonas’ new band DNCE.





While this shouldn’t come as too much of a surprise, count Kevin Jonas as one of the many happy with the accomplishments of his younger brother Nick.

“Nick’s doing an amazing job. He’s working his ass off and having so much fun,” the oldest JoBro told me last week on the red carpet at the Garden of Dreams Talent Show inside Radio City Music Hall. “I think the music speaks for itself. Yunno, having two top 10 hits is huge, and it’s a feat all in its own.”
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The youngest of the three musicians scored success on the pop chart with “Jealous” and “Chains.” Perhaps also not surprising: it doesn’t seem Nick is stopping there.

“I’ve heard there’s more music coming as well,” revealed Kevin. “So, I’m excited for him.”

Count Kevin strictly as a cheerleader though, and not as an older brother who tries to play mentor.

“Nick’s doing his thing. Each one of us is kind of doing our own thing,” he responded when I asked him about mentoring his younger bro. I posed the question because the event we were at centers on mentorship: the Garden of Dreams Foundation partners kids facing obstacles with celebrities throughout entertainment to receive guidance leading up to the event at Radio City.

Kevin did note that as the Jonas Brothers grew up, they had a few big names and experiences to lean on themselves.

“We got to meet a lot of amazing people as we got to travel and do different things,” Jonas noted, immediately mentioning the 51st GRAMMYs performance that the boys shared with Stevie Wonder. “Talking to Paul McCartney and being able to share our stories and him actually wanting to hear what we had to say and to tell us about his life… it’s just, things like that I’ll never forget.”

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Life & Style Weekly reports that Mariah Carey had a few rather interesting demands before she kicked off her residency at Las Vegas’ Caesars Palace on May 6. Reporter Melissa Roberto also talked about Justin Bieber’s alleged love triangle and how Disney may be changing the way it deals with its younger stars on “Ralphie Tonight.”