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Since leaving Niagara Falls, New York for Syracuse University in 2003, I haven’t spent Mother’s Day with my Mom often. The 2007 SU commencement was on that Sunday in May and I can remember at least one other time when my Mom visited me but otherwise, I’ve been away from the family. It was mostly a byproduct of the job; the only holiday you’re really guaranteed to have off in radio is Christmas. The fact that pretty much my entire family, sister included, are still back in Niagara Falls also factors in to it.

But on the flip side, it makes a Mother’s Day spent with Rachele that much more special because I certainly don’t take it for granted. And so you can imagine my joy that this year, as the Yankees readied to retire Derek Jeter’s number on May 14, my Mom floated the idea of coming to the city for it. While my Mom isn’t a huge baseball fan, she does root for the Yankees and likes getting to at least a game a year in the Bronx.

She, like many of us, also loves Derek. When we visited New York for my first time in 1998, my Mom was the one who overheard a worker at Niketown talking about Jeter. Minutes later I was standing in front of the shortstop and shortly thereafter, thanks to my Mom, this photo was taken.

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And so my Mom and sister Raquela flew down Saturday morning in to a rainy Manhattan where they shopped, napped and then met me for dinner at Dafni’s on 42nd. They love staying in Times Square (I’ve stopped fighting it) and have eaten at this Greek restaurant before; after our meal, I would sign up for a return visit.

That night, the two of them walked up a few blocks to see Josh Groban in “The Great Comet” (Rachele gave it high marks). The next day, we grabbed a nice early Italian dinner at Pomodoro Rosso on the Upper West Side. This quaint red-and-white tablecloth restaurant served generous portions for a moderate price. We left with full stomachs and walked to the C train so we could transfer to the D at 125 and end up at 161st and River.

Once we got inside the ballpark and made it to our seats, I ran back downstairs to spend too much money on hats, shirts, pins and programs marking Jeter’s (second) Day at Yankee Stadium. I made it back to our Jim Beam Suite seats in time for the start of the ceremony, which in typical Yankee fashion was a fantastic stroll down memory lane.

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Ironically the most forgettable part of the trip was the game itself; the Astros jumped out to an early 8-0 lead after the first few innings. But the score didn’t matter; my Mom enjoyed herself so to me, it was a winning weekend.

Some news and notes from my fourth consecutive Tony Awards red carpet:

– There was a major scene change this year as the biggest night on Broadway moved uptown from 6th Avenue to… Broadway! The Tony’s were held at the venerable Beacon Theatre, the sister-venue of previous host Radio City Music Hall. Both buildings are managed by the Madison Square Garden Company. Instead of wrapping around the venue, this year’s red carpet simply stretched down two blocks from the front entrance of the theatre.

– It didn’t matter if you were Lin-Manuel Miranda, Leslie Odom Jr. or the guy in charge of lighting… if you were a part of the hit musical “Hamilton,” everyone wanted to talk to you. The production nabbed 16 nominations in 13 categories and took home 11 trophies. Tickets are impossible to come by unless you’re willing to refinance your house. Alex Lacamoire, who won the Tony for Best Orchestrations thanks to the musical based on Alexander Hamilton, smiled when I asked about the amount of ticket requests he has received.
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“That’s wonderful because that means people want to see our show,” he said, in perhaps one of the bigger understatements of the evening. “So hey, no complaints.”

– Certainly Odom Jr. had zero complaints as he beat out his co-star Miranda for the Lead Actor in a Musical category. When I asked Odom if he and Miranda made a friendly wager over the Tony prior to the award show, he found the question so hilarious that he nearly spit out the water he was sipping.

– This was a first: two reporters next to me were hungry, so they decided to walk to a pizzeria, pick up a pie and bring the entire box, paper plates included, back to the red carpet. At least they shared (I did not indulge but they were very kind to offer).

– Neil Patrick Harris shouted, “Work!” when I asked him what inspired his new, shorter haircut. I was tempted to simply tell you that I asked him what his favorite Rihanna song was.

– Nice to see Sara Bareilles on the carpet; she said hello to me before her publicist dragged her inside so she wouldn’t miss the award ceremony. It has been a wonderful Broadway debut for the pop star: her musical “Waitress” nabbed four Tony nods including Best Musical and Best Original Score, which of course was penned by Bareilles herself.

– Of course, there are a lot of artists from all genres of entertainment on and/or involved with Broadway these days. The great Andrew Lloyd Webber offered an interesting response when I asked him about this.

“Providing that you’ve got the right people for the right roles, if that’s what you’re asking me, and they’re cast for the right reasons… that’s great,” the seven-time Tony Award winner, whose musical adaptation of “School of Rock” received multiple nominations, told me. “It really doesn’t matter who you have in a show. Like, ‘School of Rock’ doesn’t have a star, but at the same time it easily could. I mean, James Corden wouldn’t be bad in ‘School of Rock,’ would he?”

It’s big business – billion dollar business, to be exact. Perhaps that explains why so many big stars from across entertainment continue to flock to Broadway for producing and/or starring roles. But as evidenced in last Sunday night’s “Tony Awards” broadcast, there is obviously more to the boom than just dollars and cents.

“I think people love live theater,” James Monroe Iglehart told me outside of Radio City Music Hall in New York City on the red carpet. Iglehart took home a “Tony” last year for his current role as “The Genie” in “Aladdin: The Musical.” “There’s something about watching people doing it right in front of you… they are not lip-syncing, there are no special effects, they are just singing and acting and dancing in front of you. There’s an energy to it that cannot be matched.”

That was Iglehart’s way of not only explaining Broadway’s identity, but also its success. Box office revenues climbed to over $1.3 billion this past season.

The earnest seen on stage is clearly admired by all entertainers, including multi-platinum recording artist Josh Groban.

“To me this is such a pinnacle, to be in this theater world, to be up there on the Tony’s stage,” he remarked prior to the show. The American Theater Wing and The Broadway League tapped Groban to perform during the “In Memoriam” portion of the broadcast. “Ever since I was a little kid, I wanted to be in the theatrical world.”

Others, like TV producer and “So You Think You Can Dance” creator/judge Nigel Lythgoe actually began their careers on the stage.

“I started off as a West End Dancer,” Lythgoe responded when I asked him why he became involved in the revival of “On The Town.” The production earned four nominations, including “Best Revival Of A Musical,” but lost to “The King and I.” “So just being a part of Broadway feels like I’ve sort of come full circle.”

Speaking of full circle, when the topic of “American Idol” was mentioned, Lythgoe reiterated that he would like to take part in the show’s final season next year. The producer, who brought the competition to the States from across the pond, added that he doesn’t know, “what egos are involved.”
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And that is another interesting thing about the red carpet of “The Tony Awards”: egos seem to be checked at the door. Kelsey Grammer, who performed on Broadway long before he came known as “Frasier,” told me that he was lured back to the stage because in his opinion, “Finding Neverland” is “the best show I’ve ever seen in my life.”

“It’s just one of my favorite stories,” said Grammer, who performed on the telecast as his character, Captain Hook. “I was invited to come and seen the out-of-town tryout basically, and I just thought it was breathtaking.”

“Neverland” did not receive a “Tony” nomination, but at least the snub isn’t reflected in the box office numbers; in the week leading up to the award show, the musical tallied over a million dollars in ticket sales. With an influx of theatergoers on the horizon thanks to warmer weather and tourist season, “The Tony’s” may have come and gone, but for the foreseeable future the business is here to stay.

of course the video is a response to this from sarah silverman, kimmel’s gf.

holy cameos. i wonder how jennifer garner feels about this?

of course the video is a response to this from sarah silverman, kimmel’s gf.

holy cameos. i wonder how jennifer garner feels about this?