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Some news and notes after Sunday night’s American Music Awards broadcast from my vantage point as an audience member inside Los Angeles’ Microsoft Theater…

– Fun fact: This was my first time actually watching the AMAs from the crowd? My previous four years were spent in the press room. I was given a VIP Orchestra seat and hung out with my fellow Cumulus Media/Westwood One colleagues.

– There were other familiar faces nearby though – Rachel Platten was at the end of the row in front of us! Always love when she and I have a chance to catch up. Rachel is heading to New York for Thanksgiving; she’ll be singing for children in local hospitals on Turkey Day. How amazing is that? Not-so-amazing: after we snapped this selfie, a waiter walking up the aisle spilled a cup of ice on her. Thankfully, no harm no foul.

– During his opening, Jamie Foxx went a bit off script. Ahead of the broadcast, the instructions given to us by Executive Producer Larry Klein were that we were to stay seated and quiet for Jamie’s speech and the P!nk/Kelly Clarkson performance, saving our energy for the opening credits. But Foxx had a different plan, asking everyone to make noise and stand. It contracted what we heard and it might have come off weird on TV because Foxx was the only person lit for the entire segment.

– Especially considering it didn’t happen right in front of us on stage, the audience inside Microsoft Theater was really captivated by the P!nk “Beautiful Trauma” performance. dick clark productions really outdid itself again – Drake performing in the Bellagio fountains for the Billboard Music Awards was epic. You could say the latest stunt reached new heights…

– The BTS phenomenon was fun to witness in real life. Every time the guys stood up, the audience screamed. Every time there was a cut-away shot to the guys, the audience screamed. It got so bad that I’m pretty sure producers had to stop showing some of the cut-aways in the venue because the suddenly loud screams were probably startling performers. And there was just as much noise outside; over 5,000 people gathered in L.A. Live to try and catch a glimpse of the K-Pop boy band.


– When the crowd figured out during the commercial break that BTS was next to perform, well… here’s what it looked and sounded like…

– Some of my personal favorite performances: Demi Lovato, Niall Horan, Shawn Mendes and Portugal. The Man. Demi sang to a track for the chorus of “Sorry Not Sorry” but had no backing vocals on the verses, which she slayed.


– Final fun fact: In order to get everyone in their seats so the place looks full when the broadcast begins, the venue shut down concessions 15 minutes prior to the show’s start. As soon as the AMAs went live on ABC, the alcohol began flowing again… or at least, that’s what a well-placed source told me.

Our old friend Jax called in to the show from her new home in Los Angeles and we had a lot to chat about it. I ran the New York City Marathon this year and she completed it last year so we compared notes on the 26.2 mile trek before moving on to Jax’s new music and the next season of “American Idol.”

Our former intern, Olivia Rudensky, was backstage at the 2017 Teen Choice Awards – she called in to the show the next night to chat about who she saw, including a random Scott Disick sighting!

I don’t like holding on to a lot of physical mementos, especially ones that would require a UPS label or a potential over-packed suitcase.

This is primarily in reference to the award shows that I cover but extends to any other trip I make or event I attend. First, I have the priceless memories of those experiences. Second, if I do save something, it’s usually a hotel room key, a press credential or a ticket stub. I’ve saved the latter since first attending baseball games and wrestling matches as a kid. I read in Rolling Stone once that Springsteen also saves his room keys and I thought to myself, “If he isn’t too cool for that then neither am I.” Press credentials are also nice because like tickets and room keys, they are small, but they are also unique.

But this past GRAMMYs, something changed. It started on my first day in Los Angeles. I attended an event that Wednesday night (something I have never done before) so I could speak with Recording Academy President Neil Portnow and Conan O’Brien. Afterwards I had drinks with a colleague and we talked about all of the various award shows and “radio rows” that I’ve had the privilege of covering. I always tell people that despite the fact I’m at a lot of these, I never assume that I’ll be at the next show and I never take any of them for granted.

The conversation I had with that co-worker drove those points home on to a different level. I hope it reflected in my work, but I and my producer can tell you it was definitely reflected in my work ethic. Don’t get me wrong, I always bust my butt on the road. But this time there was a different pace and diligence to the process. I covered events, conducted interviews, hosted shows, Skype’d in a few TV hits and edited, edited, edited which was only followed by more editing… and a lot of distribution throughout the social networks, our dot-coms and most importantly, the airwaves.

We wrapped radio row that Friday – its official title is “Westwood One Backstage” – and my producer Jay asked me if I wanted an official GRAMMYs poster that he had all of the interviewees sign. We’ve done this in the past and I almost never take it home. First, I can’t be bothered with anything that doesn’t involve completing my work for the week and second, it’s not like I can shove it in a suitcase.

But again, this time was different. And I thought to myself that a year from now, I might not be at The GRAMMYs. So maybe I should take a second to reflect, be thankful and perhaps take another memento home – one that would look pretty cool on the wall framed, I might add.

On Sunday Jay and I attended The GRAMMYs, and as we walked out he handed me a program. The GRAMMY program is more encyclopedia than playbill in size. The old me would have discarded it; but this time was different. It found its way in to my luggage, which I had to check anyways because that’s what happens when you travel across the country for a week to work.

The poster made it home too thanks to the J.W. Marriott’s business center and the aforementioned UPS. It’s hanging in my bedroom.

When I had that chat with my colleague the night before radio row began, I retired back to my hotel room and told myself that no matter what happens, I better push myself to new limits and leave it all out there.

And by the end of the trip, I felt I had at the very least accomplished that… so I wanted to make sure I took a piece of it back with me too. I’m glad I did.

For day three of our broadcast with Westwood One Backstage at The 59th GRAMMYs we chatted with a bunch of current and former nominees while also speaking with a few friends-of-the-show. It was great to see Train’s Pat Monahan and Gavin DeGraw. I also interviewed Lukas Graham for the second time; the first time was at The GRAMMYs last year and now they’re up for three awards including Record and Song Of The Year, plus they’ll perform with Kelsea Ballerini. Noah Cyrus stopped by and compared me to her dad, LeAnn Rimes remembered her big GRAMMY wins from 20 years ago and Charli XCX explained how she chooses to collaborate with people before I brought up Selena Gomez to her.








So great to see a couple of current and possibly future GRAMMY nominees on my second day here in Los Angeles and our first day inside Staples Center for Westwood One’s Backstage at The GRAMMYs. I asked Mike Posner and Daya about the big day plus met Dua Lipa. Also, we chatted about a couple neighborhoods in Manhattan when “America’s Next Top Model” contestant Paige Mobley and singer/songwriter Max stopped by.




On my first day of coverage in Los Angeles for The 59th GRAMMYs, I attended The Recording Academy Producers And Engineers Wing 10th Annual event which honored 12-time GRAMMY winner Jack White. The artist’s friend Conan O’Brien was on hand and stopped to chat about his Patriots winning Super Bowl 51. I also spoke with Regina Spektor and Academy President Neil Portnow.



The week of Thanksgiving has turned in to one of my favorite times of the year. It starts in Los Angeles, covering the American Music Awards. A trip to In-N-Out Burger and red-eye flight later, I’m back east and for the next two days, my show airs at its normal time. Then Thursday morning, I’m up at 6 am so I can shower, grab a hot chocolate and walk over to the start of the Macy’s Thanksgiving Day Parade. I stay on the parade route until Santa passes me, which is usually about 10 am. Then I head back to my apartment, edit all of the celebrity interviews and videos I recorded from the morning and begin to figure out what the rest of my evening looks like.


Clearly, this week isn’t busy enough, so this year I added a new wrinkle: after the parade, I was going to fly home to Niagara Falls to see my family for Thanksgiving. It would be the first time in nine years that I was eating turkey in Western New York for the holiday.

This wasn’t my idea; my Mom was adamant on me returning home for the holiday. I think part of the reason is because she felt bad that for the first time in three years she and/or the rest of my squad wasn’t trekking to New York for Thanksgiving.


Back to my now-crazier day: I settled back in to my apartment and started to edit, (temporarily) wrapped at 11, finished packing at 11:30 and called a car to take me to LaGuardia.

There would be no editing at 30,000 feet because our Wifi wasn’t working. But there was this!


My sister picked me up from Buffalo-Niagara International Airport and drove me home. I spent the rest of the evening (sans a break for turkey) finishing the social media updates and editing necessary for both 95.5 PLJ and our sister station, NASH FM 94.7. A coffee and amaretto or three later and I was done for the night.

On Friday I slept in before running 5 miles through my old neighborhood and linking up with my cousin Anthony for some drinks and leftover antipasto at my house. Then I headed down to Buffalo, where I met some old high school friends at a spot called Buffalo Proper. It’s a dimly-lit cocktail lounge with a full kitchen and pretty fantastic vibe. I would recommend the Tatanka and this, the Smoke Break, served on an ash tray.


The trip home was a quick one, as I flew out Saturday morning because I wanted to catch Syracuse play South Carolina at Barclays Center, a game they would lose. But with friends in town for the weekend, I ended up having a fun Saturday night (slash Sunday morning) out, along with a solid Football Sunday that saw my Bills notch a win.

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And then, in a new Thanksgiving week tradition (because it’s the second year it happened), my Christmas tree went up.


After all, I clearly didn’t have enough going on this week.

Some news and notes from the American Music Awards red carpet…
redcarpet1
– Yes the rain was a major, major factor on the carpet and its impact on arrivals almost cannot be overstated. More on that here.

– It’s so nice to attend these and see familiar faces, whether it be publicists, fellow members of the media or artists. On the press front, great seeing The Insider’s Keltie Knight, Sweetyhigh’s Cassie DiLaura, the whole Sirius XM Hits 1 squad and Hollywire’s Chelsea Briggs.

– As far as artists and other invited guests: loved saying hello to Mark Cuban, Rachel Platten, Daya and Bebe Rexha, the latter who performed for Westwood One the night prior at our “Rooftop Live” event inside downtown Los Angeles’ Perch. Rexha’s catalog of hits she either penned and/or is featured on is impressive, and I’m rooting for her latest release “I Got You.”

– What I loved the most about the weather: the temperature. I’m used to melting every year on the AMAs red carpet; far from the case this year. I usually end up drinking 3 or 4 bottles of water in the process. I maybe drank one for the two-and-a-half hours I was out there.

– Another interesting note about my role: it changes from year-to-year on the carpet. This year, I served two purposes: grab content for my radio stations’ platforms as well as nationally and assist our red carpet reporter, Kerri Kasem, when necessary.

– After the red carpet, it was off to the one-on-one room. When the show wrapped, I dropped equipment at my room, called my mom, poured a drink and waited for my producer, Jay Buff, to arrive. After a quick download of the night’s events we put it all in the past and walked over to the after party. That was followed by an after-after party in where else, but the hotel lobby. We then ordered food from my favorite spot downtown, L.A. Café and devoured the grub before joining two different morning radio shows for American Music Awards recaps.

Eventually, I slept.

The genesis of my American Music Awards recap has become tradition: I usually begin typing it immediately after I check out of my hotel in downtown Los Angeles. My morning after the American Music Awards technically starts at the after-party. Then there’s an after-after party with my colleagues. That is followed by food, caffeine and a few live morning radio spots to handle. If I’m lucky, I catch about five hours of sleep before I wake up and begin taping my now (also) traditional AMA recap show, including interviews with some of the winners and performers from Sunday night’s show.

Then I finish editing video from the weekend, sneak in a two mile run, shower, pack and head to the lobby. I’m here now. Green Day’s drummer Tré Cool just walked by me with a security guard in tow. He tried to play it incognito with a forward-facing beige beret tucked down over a big pair of black sunglasses, but the aqua hair splaying out from the side was a dead giveaway. Coincidentally, I also saw him last night at the official American Music Awards after-party, before I ran into and met the band’s bassist, Mike Dirnt.

“I owned the ‘Dookie’ album on cassette!” I exclaimed. I may have had an alcoholic beverage or two at this point.

“I still own it on cassette!” Dirnt shot back. We snapped a quick selfie and went our separate ways.

A photo posted by Ralphie Aversa (@ralphieaversa) on


It’s nice to have tradition and routine; “typical” experiences like the aforementioned regarding two-thirds of Green Day.

But the unexpected can be just as, if not more entertaining. I wasn’t expecting to wake up Sunday to an overcast, mid-60’s day in downtown LA. Tents were pitched above the red carpet in L.A. Live, the area outside of Microsoft Theatre where the award show took place. And then, something took place that I don’t think has ever occurred in the history of the AMAs.

It rained. Steady, unforgiving rain. It even brought some wind. And people here lost it. The tents leaked. Puddles formed in front of the platforms where reporters and producers were frantically trying to adjust.

And as for the celebrities in attendance… to be honest, I think most of them don’t always need an excuse not to walk an entire red carpet. Even with our prime position for arrivals, we didn’t witness many first-hand. Gigi Hadid walked, or rather scurried by, clearly trying to get back inside to go over lines. Her co-host, the very relaxed and jovial Jay Pharoah stopped over to chat. Niall Horan was another one that sticks out; the Irishman talked with us ahead of his performance which was the first time he performed at the AMAs without his fellow One Direction mates.

As for our one-on-one room backstage, it is actually on the roof of a parking garage adjacent to the venue. If an artist wanted to stop by, they had to walk out of the venue.

In the rain.

We didn’t see too many familiar faces there, either. The very gracious Tim McGraw stopped by (greeting me with a “Hey, Ralphie boy!”). Maroon 5 hit the photo area before the band closed out the show with a performance of “Don’t Wanna Know” – I presume so that they could head home immediately after getting off stage.

After all, the rain along with two events at the Staples Center next door and the AMAs made for quite the traffic predicament in Los Angeles. But that’s expected around here.

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