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This is my longest and one of my favorite interviews to-date.

I first met JAX earlier this year. She is a ball of good energy and simply a fun person to be around. And that’s why I’m not surprised how composed, outgoing and at times laugh-out-loud funny she was as she described the process of discovering that she had both Thyroid Cancer and Hashimoto’s disease.

In typical JAX fashion, she is overcoming both while yet again serving as an inspiration to the fans that adore her. And she’s coming through even stronger than ever; in November she’ll run the TCS New York City Marathon, which will be her first ever marathon. Hey, go big or go home.

JAX spoke candidly with me about this past year. Watch the interview below and contribute to her marathon cause here.

A brand new “2 Slices & A Story” on your screen starring American Idol finalist, Jersey’s own and all-around great person JAX! And you’ll learn something that she can’t stand during this chat…

Fresh off the release of her well-received sophomore LP ‘Better,’ Haley Reinhart stopped by to perform for listeners and chat about the new album, future plans with Casey Abrams and Postmodern Jukebox plus how she landed a gig on Bill Burr’s “F Is For Family.”
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As the final field of contestants was narrowed to three ahead of this week’s American Idol series finale, a specific statistic probably came in to focus for Nick Fradiani: the Connecticut-native has a 33 percent chance of being the final man to win the singing competition.

It would have been quite the coincidence considering he was also the first winner from the Northeast.

“I remember when I first got on the show, I found that out,” Fradiani told me earlier this year. “I was like, ‘I’m doomed! I’m never going to win.’”

The Wheaton College graduate never allowed this to affect his performance as he sang his way to the title. A whirlwind of events followed for Fradiani.

“The single was released back in May,” he recalled of the track, “Beautiful Life.” “I did the radio promotion from about May right up until the tour ended.”

Fradiani essentially worked two jobs: promoting his single at radio stations during the day and performing with his fellow Top 5 finalists on the 37 city tour at night. He continued this until September, and then returned to the studio to finish up his album. Now, he’s back at radio with a new single, “Get You Home.”

“It’s the most up-tempo, funkiest song on the whole album,” Fradiani described. “Figures that’s what the label liked! But I loved it, I loved writing it. And there’s a sample in it from Young M.C.”

Fradiani intertwined “If you want it, you got it,” from the 1989 hit “Bust A Move.” The “Idol” winner was 3 and a half years old when the song was released, and busted a move or three this week on the show’s finale.

Also gracing the “Idol” stage one more time: previous winners Kelly Clarkson, Carrie Underwood, Jordin Sparks, David Cook and Kris Allen. They and other winners from yesteryear were joined by a slew of finalists who have found success in their own right: from “Daughtry” front man Chris Daughtry and Adam Lambert to Broadway star Constantine Maroulis, actress Katherine McPhee and country star Kellie Pickler.

Some stars are so far removed from their time on the show that you might even forget they once competed. But for at least one winner, who will also return to “Idol” this week, that might be an accomplishment in itself.

“The hardest thing about coming off of ‘American Idol,’” Lee DeWyze told me a few years ago, “is coming off of ‘American Idol.’ Everyone’s got a different path.”

And for the show’s second-to-last winner, that statement certainly holds true… literally.

Haley Reinhart has traveled an interesting path from “American Idol” finalist to independent solo artist. The Chicago-born songstress signed a deal with Interscope after her top 3 “Idol” finish and recorded her debut album “Listen Up!” That would be her only release under the label. Reinhart eventually joined fellow season 10 alum Casey Abrams in Postmodern Jukebox before stumbling upon the next chapter of her career, all thanks to a gum commercial.

“Wrigley and Extra Gum kind of sought me out and had me record the song kind of overnight and it worked out,” Reinhart explained of her new single, a cover of the Elvis Presley classic “Can’t Help Falling In Love.” “It worked out, they put out the commercial, it blew up and now it’s being played on the radio.”
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For the most part, Reinhart seems to be enjoying the ride.

“I’d rather things take their own course and their own time to completely fall in to the right place,” she said. “I don’t like anything to be forced. So thankfully in this instance and in a lot of other cases, it’s overnight and you don’t expect it, and those are the greatest gifts.”

Reinhart’s gift to her fans will be the sophomore album “Better,” due out in April.

“I actually had to hold back putting out the album because of all the buzz that’s happened around this single,” she revealed. “It’s been a labor of love for about three years or so now.”

But Reinhart isn’t complaining. After all, there are some things you can’t predict and others you simply shouldn’t force.

Day 2 of the broadcast Backstage at The 58th GRAMMYs is always more hectic but also a lot of fun: you’re set up, in a groove and a lot of artists are coming by – usually more so than the previous day. It was great meeting ‘Idol’ winner Nick Fradiani, BØRNS and actress/singer Hailee Steinfeld. I also loved catching up with our bud Alessia Cara and seeing Zendaya for the first time in a minute.






East Brunswick N.J.’s JAX stopped by to chat about her new single “La La Land,” her trip to MSG to see Billy Joel, how she feels about her time on “American Idol,” and what she has planned for 2016!


David Cook stopped by “Ralphie Tonight” to chat about his new album Digital Vein and how it got him back to a place where he once again loves to write and record music. Cook was candid about how the death of his brother affected his music, and why he’s in a really good place at the moment. He also took fan questions and talked about possibly returning to “American Idol” next season.

Former “American Idol” executive producer Nigel Lythgoe is interested in contributing to the show’s final season, set for next year.

“I feel like it’s my baby; I brought it over here (from England),” he told “Ralphie Tonight” on Sunday at the Tony Awards red carpet. “But I don’t know what egos are involved right now.”

Lythgoe produced “Idol” for 11 years, from its start in 2002 to 2013 when both he and fellow EP Ken Warwick were replaced. In a statement following his departure, the TV vet said that he was looking forward to focusing more on his other baby – “So You Think You Can Dance.” That show is currently in its 12th season with a pair of new judges alongside Lythgoe: Jason Derulo and former “Idol” panelist Paula Abdul.
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“A panel of judges isn’t about the individual,” he explained. “It’s about how you sit together. You know, looking at something like ‘The Voice’; it’s fantastic how Blake (Sheldon) and Adam (Levine) really made that work, and anyone that comes in to it now feels very comfortable.

“We’ve three have just got to make it work for ourselves now, and I think over the series we’ll certainly do that.”

“Dance” airs Monday’s at 8 p.m. on Fox.

It’s big business – billion dollar business, to be exact. Perhaps that explains why so many big stars from across entertainment continue to flock to Broadway for producing and/or starring roles. But as evidenced in last Sunday night’s “Tony Awards” broadcast, there is obviously more to the boom than just dollars and cents.

“I think people love live theater,” James Monroe Iglehart told me outside of Radio City Music Hall in New York City on the red carpet. Iglehart took home a “Tony” last year for his current role as “The Genie” in “Aladdin: The Musical.” “There’s something about watching people doing it right in front of you… they are not lip-syncing, there are no special effects, they are just singing and acting and dancing in front of you. There’s an energy to it that cannot be matched.”

That was Iglehart’s way of not only explaining Broadway’s identity, but also its success. Box office revenues climbed to over $1.3 billion this past season.

The earnest seen on stage is clearly admired by all entertainers, including multi-platinum recording artist Josh Groban.

“To me this is such a pinnacle, to be in this theater world, to be up there on the Tony’s stage,” he remarked prior to the show. The American Theater Wing and The Broadway League tapped Groban to perform during the “In Memoriam” portion of the broadcast. “Ever since I was a little kid, I wanted to be in the theatrical world.”

Others, like TV producer and “So You Think You Can Dance” creator/judge Nigel Lythgoe actually began their careers on the stage.

“I started off as a West End Dancer,” Lythgoe responded when I asked him why he became involved in the revival of “On The Town.” The production earned four nominations, including “Best Revival Of A Musical,” but lost to “The King and I.” “So just being a part of Broadway feels like I’ve sort of come full circle.”

Speaking of full circle, when the topic of “American Idol” was mentioned, Lythgoe reiterated that he would like to take part in the show’s final season next year. The producer, who brought the competition to the States from across the pond, added that he doesn’t know, “what egos are involved.”
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And that is another interesting thing about the red carpet of “The Tony Awards”: egos seem to be checked at the door. Kelsey Grammer, who performed on Broadway long before he came known as “Frasier,” told me that he was lured back to the stage because in his opinion, “Finding Neverland” is “the best show I’ve ever seen in my life.”

“It’s just one of my favorite stories,” said Grammer, who performed on the telecast as his character, Captain Hook. “I was invited to come and seen the out-of-town tryout basically, and I just thought it was breathtaking.”

“Neverland” did not receive a “Tony” nomination, but at least the snub isn’t reflected in the box office numbers; in the week leading up to the award show, the musical tallied over a million dollars in ticket sales. With an influx of theatergoers on the horizon thanks to warmer weather and tourist season, “The Tony’s” may have come and gone, but for the foreseeable future the business is here to stay.